In Time Isn't Holding Us, Joakim Möller (b. 1999) brings together the different sides of his practice — street photography alongside the invented, surreal logic of his diptychs — into one debut monograph.

He shoots urban moments through dramatic composition and a stark black-and-white palette, tuned to the small tensions inside ordinary city life. The images aren't built around a message or theory; they read as entries in a personal visual diary.
Möller describes his own process in exploratory terms: walking the same Stockholm streets daily and still finding them unfamiliar, treating photography as a way of drawing the surreal out of the everyday.

His diptychs are restrained and often minimal, pairing silhouettes, architectural line, birds, light and shadow into compositions that feel both spontaneous and constructed.