Taking its title from an old Roman architectural term for a small circular or oval window or the round openings found at the center of domes. Often an oculus allows a concentrated beam of light into an otherwise dark interior and so is threshold between a world of light and one of shadow.
In Sevinçli’s images we are in a shadow-world in which light, meaning and beauty pass fleetingly, out of reach and into memory.
There is a beautiful, poetic intelligence in Yusuf Sevinçli’s photographs. They are, we are told, images of actual things and places. The artist’s sensibility, however, articulated through the elegant contingencies of the analogue photographic process; the framing of the shot, the manipulation of the negative, the quality of the printing, renders a dreamlike reality.
