{"title":"20th Century","description":"\u003cp\u003eThis collection gathers photobooks published during, or reflecting on, the 20th century — a period of enormous evolution in photography.\u003c\/p\u003e\n\u003cp\u003eFrom iconic visual movements to overlooked gems, these titles offer a historical lens on image-making, publishing, and visual culture.\u003c\/p\u003e","products":[{"product_id":"the-soviet-photobook-1920-1941-by-mikhail-karasik-and-manfred-heiting","title":"The Soviet Photobook 1920-1941 by Mikhail Karasik and Manfred Heiting","description":"\u003ch2\u003eThe Soviet Photobook 1920-1941 by Mikhail Karasik and Manfred Heiting\u003c\/h2\u003e\n\u003cp\u003eThe Soviet Union was unique in its formidable and dynamic use of the illustrated book as a means of propaganda. Through the book, the U.S.S.R. articulated its totalitarian ideologies and expressed its absolute power in an unprecedented way—through avant-garde writing and radical artistic design that was in full flower during the 1920s and ’30s. No other country, nation, government or political system promoted itself more by attracting and employing acclaimed members of the avant-garde. Among them were writers like Semion Kirsanov, Vladimir Mayakovsky, Ilya Selvinsky, Sergei Tretyakov and Kornely Zelinsky; artistic designers like Gustav Klutsis, Valentina Kulagina, El Lissitzky, Sergei Senkin, Varvara Stepanova, Solomon Telingater and Nikolai Troshin; and photographers including Dmitry Debabov, Vladimir Griuntal, Boris Ignatovich, Alexander Khlebnikov, Yeleazar Langman, Alexander Rodchenko, Georgy Petrusov—not to mention many of the best printers and book binders.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-soviet-photobook-1920-1941-by-mikhail-karasik-and-manfred-heiting-911899.jpg?v=1645715644\" alt=\"The Soviet Photobook 1920-1941 by Mikhail Karasik and Manfred Heiting - Tipi bookshop\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe Soviet Photobook 1920–1941 presents 160 of the most stunning and elaborately produced photobooks from this period and includes more than 400 additional reference illustrations. The book also provides short biographies of the photobook contributors, some of whom are presented here for the first time.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":40067414818956,"sku":"SO-VIE","price":99.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-soviet-photobook-1920-1941-by-mikhail-karasik-and-manfred-heiting-352780.jpg?v=1645715644"},{"product_id":"album-xanti-schawinsky","title":"The Album by Xanti Schawinsky","description":"\u003ch2\u003eThe Album by Xanti Schawinsky\u003c\/h2\u003e\n\u003cp\u003eThe work of the late Swiss artist \"Xanti\" (Alexander) Schawinsky (1904–1979) was until recently almost inaccessible. In his lifetime, Schawinsky was mainly known for his work in the theater department at the Bauhaus. In the late 1930s, while teaching at Black Mountain College, a legendary art college in North Carolina that provided refuge for many European emigrants during the Nazi era, Schawinsky, building on his Bauhaus work, developed his dramatic theory known as \"Spectodrama,\" happenings of a sort, which would later be made famous by another affiliate of the same institution, John Cage. \u003c\/p\u003e\n\u003cp\u003eThis publication is based on the albums the artist conceived during his tenure at the Bauhaus, and presents, for the first time, photographs and documents, personal as much as artistic, on this key moment of the modern period, all commented by scientific researcher and curator at Bauhaus Dessau Foundation, Torsten Blume. This is the first opportunity to discover this primary material, in a format reproducing the original album.\u003c\/p\u003e","brand":"JRP éditions","offers":[{"title":"Default Title","offer_id":40067432644748,"sku":"XA-SC","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-album-by-xanti-schawinsky-493425.jpg?v=1645797012"},{"product_id":"photobook-belge-by-various-artists","title":"Photobook Belge by various artists","description":"\u003cp\u003eSince the birth of photography, the photobook has always been an essential medium for photographers wanting to display and distribute their work. But the photobook is more than just a display case: it’s a means of expression, an art object, a historical record, a propaganda tool, a multisensory experience.\u003c\/p\u003e\n\u003cp\u003ePhotobook Belge is the first-ever overview of photobooks created by Belgian photographers. Covering a period of more than years, from the mid century to the present, it features almost photobooks, all carefully described and illustrated.\u003c\/p\u003e\n\u003cp\u003eIt’s the first time that research into the production and context of Belgian photobooks has been carried out on this scale. In so doing, it sheds light on a previously neglected part of Belgium’s long and fascinating photo history. Over time, the Belgian photobook has become well established. With Photobook Belge, it finally gets the recognition it deserves.\u003c\/p\u003e","brand":"Fomu","offers":[{"title":"Default Title","offer_id":40067595632780,"sku":"PH-BEL","price":59.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/photobook-belge-by-various-artists-384316.jpg?v=1645715574"},{"product_id":"vues-artistiques-album-by-les-ets-decoux","title":"Vues artistiques Album by Les Éts. Decoux","description":"\u003cp\u003e Cet album de « vues artistiques » reproduit, classées par planches thématiques, des photographies imprimées sur cartes postales datant des années 1900-1925.\u003c\/p\u003e\n\u003cp\u003eCette collection pousse à interroger les rapports entre les manières par lesquelles l’art de la peinture de la seconde moitié du XIXe siècle, d’une part, et la photographie industrielle tirée sur carte postale au début du siècle suivant, d’autre part, ont su rendre le monde environnant. Bien que les matérialités diffèrent, les cartes attestent d’une continuité, parfois d’une coïncidence, avec des tableaux.\u003c\/p\u003e\n\u003cp\u003eIl suffit d’observer comment sont traités certains sites : Paris, son fleuve, ses avenues, ses parcs, ses champs de courses, puis les territoire champêtres aux alentours de la capitale, et plus loin le théâtre de la côte normande, et jusqu’au détour par le midi ou, de l’autre côté de la Méditerranée, par la colonie algérienne.\u003c\/p\u003e\n\u003cp\u003eAvec la diffusion massive de la photographie sous forme de cartes postales, des photographes du début du XXe siècle ont reproduit plus que jamais le spectacle du monde environnant et se sont valorisés en pensant le faire à la manière de l’art.\u003c\/p\u003e","brand":"Ets.Decoux","offers":[{"title":"Default Title","offer_id":40067631972492,"sku":"ETA-BLI","price":27.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/vues-artistiques-album-by-les-ets-decoux-354174.jpg?v=1645715696"},{"product_id":"photographs-1965-2014-by-michael-schmidt","title":"Photographies 1965-2014 by Michael Schmidt version FR","description":"\u003cp\u003eÀ l’occasion du 75e anniversaire de la naissance de Michael Schmidt, le Jeu de Paume présente une grande rétrospective de cet artiste, considéré comme l’un des piliers majeurs de l’histoire de l’art allemand du XXe siècle.\u003c\/p\u003e\n\u003cp\u003eHommage à un grand photographe, cette exposition présentera des originaux, des tirages de travail inédits, des projets de livre et d’autres archives illustrant l’évolution de son travail artistique. Elle veut aussi mettre en évidence le processus de reconnaissance de la photographie comme forme d’expression artistique en Allemagne et en Europe à partir des années 1970.\u003c\/p\u003e\n\u003cp\u003eComme Bernd et Hilla Becher, Michael Schmidt fait partie des photographes d’après-guerre les plus influents. Il a inlassablement développé son œuvre durant cinq décennies. À travers les publications de ses travaux sous forme de livres d’artiste et d’installations toujours en dialogue avec leur lieu d’exposition, il a mis au point différents types de présentation novateurs. Par l’incessant renouvellement de son langage formel et par le choix de ses thèmes, Michael Schmidt a écrit un volet de l’histoire de la photographie et est aujourd’hui un modèle pour toute une génération de jeunes photographes.\u003c\/p\u003e","brand":"Walther König","offers":[{"title":"Default Title","offer_id":40067647471756,"sku":"SH-MIE","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/photographies-1965-2014-by-michael-schmidt-version-fr-936533.jpg?v=1645715583"},{"product_id":"parallel-encyclopedia-vol-1-by-batia-suter","title":"Parallel Encyclopedia Vol.1 -reprint- by Batia Suter","description":"\u003cp\u003eBatia Suter's work intuitively situates found images in new contexts to provoke surprising reactions and significative possibilities.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/parallel-encyclopedia-vol1-reprint-by-batia-suter-304426.jpg?v=1645715578\" alt=\"Parallel Encyclopedia Vol.1 -reprint- by Batia Suter - Tipi bookshop\"\u003e\u003c\/p\u003e\n\u003cp\u003eUnderlying themes of Suter's practice are the \"iconification\" and \"immunogenicity\" of old images, and the circumstances by which they become charged with new associative values. \"In my work, I collect groups of images based on various themes and characteristics, and I investigate how they can manipulate each other, depending on where and how they are placed. In the process of making this book, narrative lines unfolded before my eyes as I shifted images around.\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Volume 1","offer_id":40067665428620,"sku":"BAT-PA V1","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/parallel-encyclopedia-vol1-reprint-by-batia-suter-699727.jpg?v=1645715578"},{"product_id":"what-they-saw-historical-photobooks-by-women-1843-1999","title":"What They Saw: Historical Photobooks by Women, 1843–1999","description":"\u003cp\u003ePresenting a diverse geographic and ethnic selection, the anthology interprets the concept of the photobook in the broadest sense possible: classic bound books, portfolios, personal albums, unpublished books, zines and scrapbooks.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/kraszna-krausz.org.uk\/book-awards\/2022-book-awards\/\" target=\"_blank\" title=\"kraszna-krausz prize\" rel=\"noopener noreferrer\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Historical_Photobooks_by_Women_1843_1999_480x480.jpg?v=1662209690\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eSome of the books documented are well-known publications such as Anna Atkins’ Photographs of British Algae: Cyanotype Impressions (1843-1853), Germaine Krull’s Métal (1928) and Diane Arbus: An Aperture Monograph (1972), while other books may be relatively unknown, such as Alice Seeley Harris’ The Camera and the Congo Crime (c. 1906), Varvara Stepanova’s Groznyi smekh. Okna Rosta (1932), Eslanda Cardozo Goode Robeson’s African Journey (1945), Fina Gómez Revenga’s Fotografías de Fina Gómez Revenga (1954), Eiko Yamazawa’s Far and Near (1962) and Gretta Alegre Sarfaty’s Auto-photos: Série transformações—1976: Diário de Uma Mulher—1977 (1978). Also addressed in the publication are the glaring gaps and omissions in current photobook history—in particular, the lack of access, support and funding for photobooks by non-Western women and women of color.\u003c\/p\u003e\n\u003cp\u003eStructured as a traveling reading room, publication and series of public events, the project will launch in November 2021 with the release of this publication. In May 2022, in partnership with the Wallach Division of the New York Public Library (NYPL), the What They Saw reading room will be on view at the NYPL’s main building at Fifth Avenue and 42nd Street in New York City. The reading room will then tour internationally to allow the over 250 books in the project to be shared with a global community.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributing Essayists: Mariama Attah, Jörg Colberg, Elizabeth Cronin, Deirdre Donohue, Anthony Hamber, Christine Hult- Lewis, Michiko Kasahara, Paula V. Kupfer, Jeffrey Ladd, Carole Naggar and Tony White.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eContributing Book Description Researchers-Writers: Rose Bishop, María Beatriz H. Carrión, Jesse Dritz, Taylor Fisch, Lauren Graves, Anna Jacobson, Paula V. Kupfer, Ashley McNelis, Katherine Mitchell, Frankie Moutafis, Carole Naggar, Caroline M. Riley and Kelsey Sucena.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.blind-magazine.com\/fr\/news\/reecriture-de-lhistoire-du-livre-photo\/\" title=\"Colin Pantall on Blind in French\" target=\"_blank\"\u003eReview by Colin Pantall\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"10x10 Photobooks","offers":[{"title":"Default Title","offer_id":40067665625228,"sku":"HI-TO","price":89.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/what-they-saw-historical-photobooks-by-women-18431999-950106.jpg?v=1645715701"},{"product_id":"dapres-nature-photographie-suisse-au-xixe-siecle","title":"D'après Nature photographie suisse au XIXe siècle","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eEdité par Martin Gasser et Sylvie Henguely\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAprès avoir été proclamée invention française en 1839 à Paris, la photographie a rapidement conquis l’Europe entière. Si la course aux innovations techniques émanait des centres culturels, les lourds appareils photographiques ne tardèrent pas à faire leur apparition dans les villages et à la campagne, dans des vallées reculées et à la montagne. Partout, les clichés « d’après nature » faisaient sensation.\u003c\/p\u003e\n\u003cp\u003eComment la photographie a-t-elle pu se diffuser de façon aussi fulgurante ? Qui ont été ces pionniers suisses qui inventaient sans cesse de nouvelles applications, du portrait représentatif à la photo d’avis de recherche, de l’étude de paysage à la présentation d’avancées industrielles et technologiques, de l’usage scientifique à la chronique d'événements ?\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":40164964171916,"sku":"19-ER","price":88.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/dapres-nature-photographie-suisse-au-xixe-siecle-804717.jpg?v=1647103503"},{"product_id":"verso-nord-by-guido-guidi-and-gerry-johansson","title":"Verso nord by Guido Guidi and Gerry Johansson","description":"\u003cp\u003eIn 2019, Guido Guidi and Gerry Johansson – two of the great masters of analog photography in the 20\/21st century– took part in a project in Castelfranco, Veneto and the surrounding area.\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Verso_nord_by_Guido_Guidi_and_Gerry_Johansson-6_480x480.jpg?v=1649938177\"\u003e\u003c\/p\u003e\n\u003cp\u003eWhile Guidi focussed his attention on the historic centre of this small town, concentrating on architectural material in order to capture in detail, the layers of history and time, Johansson moved around the area of urban spread, assessing through photography the cultural imagination of northeastern Italy, where architecture and nature, residential buildings and space become special witnesses of a casual landscape, one with uncertain, mysterious features.\u003c\/p\u003e","brand":"Hartmann Books","offers":[{"title":"Default Title","offer_id":40318709006476,"sku":"GUI-JO","price":45.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/verso-nord-by-guido-guidi-and-gerry-johansson-347183.jpg?v=1649940639"},{"product_id":"the-rest-is-history-by-alejandro-acin","title":"The rest is history by Alejandro Acin","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eAcín’s visual strategy is to merge key British historical spaces into one, creating a time-based historical cacophony a theatrical representation of a battle between the past and present.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJanuary 31st 2020 marked the departure of the United Kingdom from the European Union. In practical terms it meant the beginning of a ‘transition period’ until a longer-term relationship could be agreed. However, symbolically it was already known as Brexit Day.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/F_WZM9QmopY\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThe Rest is History was originally born as a response to the national and international media coverage of this ‘historical’ event. A kind of celebration for the Leavers and an irreversible catastrophe for the Remainers. In this publication, Alejandro Acín questions the construction of history with a series of photographs taken during the last twenty-four hours of the political relationship between Britain and Europe in London.\u003c\/p\u003e\n\u003cp\u003eText: Isaac Blease\u003c\/p\u003e\n\u003cp\u003ePress:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.1854.photography\/2023\/01\/picturing-the-anxiety-of-brexit-day\/?fbclid=IwAR0URdG5InIr9bBWdGqgsTMXCOmON4gbvJNEbVbb5wTTCTaDWyLklIR_pb0\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cem\u003eBritish Journal of Photography\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"ICVLStudio","offers":[{"title":"Default Title","offer_id":41122846113932,"sku":"AC-IN","price":29.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-rest-is-history-by-alejandro-acin-432544.jpg?v=1668869738"},{"product_id":"avant-l-avant-garde-du-jeu-en-photographie-1890-1940-par-clement-cheroux","title":"Avant l’avant-garde - du jeu en photographie, 1890-1940 par Clément Chéroux","description":"\u003cdiv class=\"book__wrap\" data-mce-fragment=\"1\"\u003e\n\u003cdiv class=\"book__text wysiwyg\" data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eFemme-papillon ou crocodile à moustache, statues vivantes, improbables siamois, ombres chinoises, fantômes et revenants, portraits en pied (de nez)...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Avant_l_avant-garde_-_du_jeu_en_photographie_1890-1940_par_Clement_Cheroux-3_480x480.jpg?v=1669911454\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eElles sont bien étranges ces créatures qui peuplent les photographies des amateurs à la fin du XIX\u003csup data-mce-fragment=\"1\"\u003ee\u003c\/sup\u003e siècle. À cette époque, des ouvrages entiers proposent aux opérateurs du dimanche de s’amuser avec la photographie. Sous l’appellation de « récréations photographiques », ils offrent toute une gamme de petits trucs qui vont de la simple surimpression au photomontage le plus raffiné, et permettent aux amateurs d’élaborer des images aussi inquiétantes que désopilantes. L’effet est garanti et le succès au rendez-vous. Au début du XX\u003csup data-mce-fragment=\"1\"\u003ee\u003c\/sup\u003e siècle, cette imagerie ludique gagne l’imaginaire visuel du grand public : elle envahit alors le cinématographe, la presse illustrée, la carte postale et la photographie foraine. Dans les années 1920 et 1930, les récréations investissent un nouveau champ : celui de l’art.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Avant_l_avant-garde_-_du_jeu_en_photographie_1890-1940_par_Clement_Cheroux-2_480x480.jpg?v=1669911454\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDes artistes aussi importants que Man Ray, László Moholy-Nagy, André Kertész, Berenice Abbott, Claude Cahun, ou Henri Cartier-Bresson s’emparent de ces techniques récréatives pour les transformer en propositions résolument créatives. Dans cet ouvrage passionnant, Clément Chéroux retrace sur près d’un demi-siècle la fascinante histoire du jeu en photographie. Fruit d’une recherche de près de vingt ans, ce livre novateur révèle un pan méconnu de l’histoire de la photographie. Accompagné d’une surprenante iconographie de près de 300 images, il contribue à réécrire une page importante de l’histoire du Modernisme.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"book__books module\" data-mce-fragment=\"1\"\u003e \u003c\/div\u003e","brand":"Textuel","offers":[{"title":"Default Title","offer_id":41158492520588,"sku":"AV-ANF","price":69.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/Avant_l_avant-garde_-_du_jeu_en_photographie_1890-1940_par_Clement_Cheroux-8.jpg?v=1669911470"},{"product_id":"on-assignment-1931-1962-by-ed-clark","title":"On-Assignment-1931-1962 by Ed Clark","description":"\u003ch3\u003e\u003cstrong\u003eThis is a set of 2 Volumes, a total of 6 Kg of pictures !\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eDrawn from Ed Clark’s extensive personal archive of photographs, negatives, contact sheets and scrapbooks, these two volumes reveal the work of a key figure from the golden age of American photojournalism. From the pageantry of politics to the rhythms of small-town life, from movie stars to the working class, Clark covered the defining personalities and events of his age.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/On-Assignment-1931-1962_by_Ed_Clark-3_480x480.jpg?v=1670858528\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eEd Clark is one of the twentieth century’s most fascinating and important “unknown” photographers. A gifted photojournalist, Clark began his career in 1929 with The Tennessean newspaper in Nashville, and went on to work for 22 years for Life magazine. He photographed many of Life’s most important assignments during the period of the magazine’s greatest cultural impact;\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/On-Assignment-1931-1962_by_Ed_Clark-6_480x480.jpg?v=1670858528\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eClark’s images helped shape a nation’s sense of itself and the world. His vast range of subjects includes the Nuremberg war crimes trials, the conflict over civil rights in the late 1940s and early ’50s, Hollywood stars and the movie industry of the ’50s, the people and arts of the Soviet Union, and the White House during the Eisenhower and Kennedy administrations. Through Clark’s eyes, we witness some of the central episodes and themes of the post-war world.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":41179731689612,"sku":"ED-CLA","price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/on-assignment-1931-1962-by-ed-clark-647429.jpg?v=1670861122"},{"product_id":"japanese-photography-magazines-1880s-to-1980s","title":"Japanese Photography Magazines, 1880s to 1980s","description":"\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\u003cstrong\u003eJapanese Photography Magazines, 1880s to 1980s by Kaneko Ryūichi, Toda Masako, Ivan Vartanian\u003c\/strong\u003e\u003c\/blockquote\u003e\n\u003cp\u003eJapanese Photography Magazines: 1880s to 1980s is a one-hundred-year history told through camera and photography magazines. With over 1,300 illustrations, this book shows how magazines continually served as a genre-defining platform. Starting with the earliest camera-related publications in the 19th century through to the end of the magazine's golden era in the 1980s, this book immerses the reader into the work of well-established as well as overlooked photographers, representing a broad range of imagery and approaches. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Japanese_Photography_Magazines_1880s_to_1980s-by_Kaneko_Ryuichi_Toda_Masako_Ivan_Vartanian-11_480x480.jpg?v=1671794699\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe book also features an ample amount of primary writings by photographers that were originally included in the magazine pages, providing essential background and context to some of the most iconic images in the field. Such writings include texts by Araki Nobuyoshi, Fukase Masahisa, Hosoe Eikoh, Kawada Kikuji, Kimura Ihei, Moriyama Daido, Narahara Ikko, Sako Kōichi, Yasui Nakaji, as well as writings by Tanikawa Shuntarō, Terayama Shūji, among many others. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Japanese_Photography_Magazines_1880s_to_1980s-by_Kaneko_Ryuichi_Toda_Masako_Ivan_Vartanian-9_480x480.jpg?v=1671794699\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eEach of the featured magazine stories are accompanied with authoritative historical information, which, as a whole, provides the reader with a balanced and nuanced survey of this history of Japanese photography. This gives the reader a grounding into the core concepts and vocabulary for understanding the definitive characteristic of photography from Japan. Almost all of the stories that are featured in this volume are reproduced in their entirety, making this volume an invaluable resource for researchers, collectors, general readers, and photography fans.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tipi-bookshop.be\/products\/the-complete-commercial-artist-making-modern-design-in-japan-1928-1930\" target=\"_blank\" rel=\"noopener\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"color: rgb(255, 0, 0); text-decoration: underline;\"\u003eOther book on this period\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"Goliga books","offers":[{"title":"Default Title","offer_id":41201275338892,"sku":"MAG-IVO","price":100.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/japanese-photography-magazines-1880s-to-1980s-113438.jpg?v=1697796176"},{"product_id":"ein-heit-by-michael-schmidt","title":"EIN-HEIT by Michael Schmidt","description":"\u003cp\u003eMichael Schmidt is one of Germany's most famous post-war photographers. In his out-of-print artist's book \"Ein-heit\", he traces the universal iconography of political systems and the images of humankind they project.\u003c\/p\u003e\n\u003cp\u003e \u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/unityIG2-7_480x480.jpg?v=1674131396\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/unityIG2-7_480x480.jpg?v=1674131396\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/EIN-HEITbyMICHAELSCHMIDT-4_480x480.jpg?v=1673355103\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/EIN-HEITbyMICHAELSCHMIDT-4_480x480.jpg?v=1673355103\"\u003e\u003c\/p\u003e\n\u003cp\u003eAddressing the complex relationship between the individual and the state, he asks how we can resist the loss of individuality inherent in systems of mass control.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/unityIG2-9_480x480.jpg?v=1674131429\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/EIN-HEITbyMICHAELSCHMIDT-5_480x480.jpg?v=1673355103\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn his uncompromising view of reality, Michael Schmidt mixes photographs of already published photographs with those of his own making to the point where reality and imagination merge, creating a densely woven structure of associations and emotions. The second, actual edition of this artist's book meets the first edition from 1996.\u003c\/p\u003e","brand":"Walther König","offers":[{"title":"Default Title","offer_id":41224780251276,"sku":"EIN-HEIT","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/ein-heit-by-michael-schmidt-365497.jpg?v=1673375592"},{"product_id":"entre-temps-by-raymond-depardon","title":"Entre Temps by Raymond Depardon","description":"\u003cp\u003eThrough a corpus produced between 1979 and 2006, Entre-temps celebrates these suspended moments of the Magnum photographer between two trips travelling the world, this strength that Raymond Depardon has to project the details of his daily life to make them resonate in ours.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Entre_Temps_by_Raymond_Depardon-2_480x480.jpg?v=1673108606\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe “Entre-temps” is for him this space of freedom in which time dissolves and where he photographs without a specific goal his encounters, scenes of Parisian streets, moments of life in cafes, parks…\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Entre_Temps_by_Raymond_Depardon-7_480x480.jpg?v=1673108605\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003ePlaces populated by anonymous who testify to an urban loneliness felt intimately. Each image then becomes a unique story with cinematographic accents.\u003c\/p\u003e","brand":"Atelier EXB","offers":[{"title":"Default Title","offer_id":41225098166412,"sku":"RAY-DEP","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/entre-temps-by-raymond-depardon-519966.webp?v=1673111337"},{"product_id":"depravitys-rainbow-by-lewis-bush","title":"Depravity's Rainbow by Lewis Bush","description":"\u003cblockquote\u003e\n\u003cstrong\u003e\u003c\/strong\u003e\"Space science .. has no\u003cbr\u003econscience of its own.\u003cbr\u003eWhether it will become\u003cbr\u003ea force for good or ill\u003cbr\u003edepends on man.\"\u003cbr\u003ePresident John F. Kennedy\u003cbr\u003e1962\u003c\/blockquote\u003e\n\u003cp\u003eDepravity’s Rainbow uncovers a dark and little known history of space exploration, tracing the origins of modern rocketry back to the Second World War and Holocaust, and revealing the consequences of this history for the present.\u003c\/p\u003e\n\u003cp\u003eWernher von Braun was a man with star dust in his eyes, and blood on his hands.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Depravity_sRainbowbyLewisBushbraun_480x480.jpg?v=1679068023\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Depravity_sRainbowbyLewisBushbraun_480x480.jpg?v=1679068023\"\u003e\u003c\/p\u003e\n\u003cp\u003eIn his last thirty years he was an American citizen who built rockets for NASA, machines which landed men on the moon in 1969. But in his first thirty years he was a German citizen, who wore an SS uniform and built ballistic missiles for the military of Nazi Germany, machines which killed thousands of civilians between 1944 and 1945.\u003c\/p\u003e\n\u003cp\u003eDepravity’s Rainbow uses this improbable life story as a way to explore the equally contradictory history of space exploration, and the way that militaristic and expansionist aims have often been dressed in a cloak of peaceful civilian science.\u003c\/p\u003e\n\u003cp\u003eSome pictures are printed as cyanotypes, the earliest form of photography and originally intended for astronomical photography, the cyanotype process was used throughout the 20th century to produce engineering and architectural blueprints. Latent within the cyanotype’s chemistry are also the components of hydrogen cyanide, the gas used in the systematic extermination of at least one million people during the holocaust.\u003c\/p\u003e\n\u003cp\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Depravity_s_Rainbow_by_Lewis_Bush_2-8_480x480.jpg?v=1679067687\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cphmag.com\/depravitys-rainbow\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eReview on Cphmag HERE\u003c\/a\u003e\u003c\/p\u003e","brand":"Disphotic Editions","offers":[{"title":"Depravity's Rainbow","offer_id":46458566967637,"sku":"","price":45.0,"currency_code":"EUR","in_stock":true},{"title":"+ Shadow of the State","offer_id":46458564510037,"sku":"DEP-RAB","price":95.0,"currency_code":"EUR","in_stock":false},{"title":"+ Metropole","offer_id":46458564542805,"sku":"DEP-RAB-2","price":80.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/depravitys-rainbow-by-lewis-bush-572461.jpg?v=1679068612"},{"product_id":"the-artist-s-books-francesca-woodman","title":"The Artist’s Books Francesca Woodman","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eFrancesca Woodman made her first photographs at the age of thirteen and went on to create a body of work that has been critically acclaimed for its singularity of style and innovative approach to photography.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/TheArtist_sBooks-FrancescaWoodmanTipibookshopMackbooks-4_480x480.jpg?v=1684762172\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eDespite her lifetime accomplishments – which included solo and group exhibitions and the publication of one of her books – and her work being celebrated widely in the years since her untimely death in 1981, very little has been published about her remarkable series of artist’s books until now.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/TheArtist_sBooks-FrancescaWoodmanTipibookshopMackbooks-7_480x480.jpg?v=1684762172\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/TheArtist_sBooks-FrancescaWoodmanTipibookshopMackbooks-7_480x480.jpg?v=1684762172\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-artists-books-francesca-woodman-732666_480x480.jpg?v=1684815306\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-artists-books-francesca-woodman-732666_480x480.jpg?v=1684815306\"\u003e\u003cbr\u003e\u003cbr\u003eFrancesca Woodman: The Artist’s Books collects for the first time every page of all eight of Francesca Woodman’s unique artist’s books in one comprehensive volume, including two newly discovered books which have never been seen before, alongside better-known titles such as Some Disordered Interior Geometries. The basis of these works is in tattered nineteenth- and early-twentieth-century journals and notebooks that Woodman collected from bookshops and flea markets in Rome in the late 1970s. She later transformed these found volumes, attaching her prints, transparencies, and written annotations to their evocative pages.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-artists-books-francesca-woodman-661534_480x480.jpg?v=1684815306\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/TheArtist_sBooks-FrancescaWoodmanTipibookshopMackbooks-2_480x480.jpg?v=1684762172\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eThese books demonstrate a sophisticated relationship to narrative and sequence and offer a new understanding of the scope of Woodman’s engagement with the book form.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/TheArtist_sBooks-FrancescaWoodmanTipibookshopMackbooks-4_480x480.jpg?v=1685017178\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e","brand":"Mack books","offers":[{"title":"Default Title","offer_id":46796755435861,"sku":"FR-ZRT","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/the-artists-books-francesca-woodman-502590.jpg?v=1684815306"},{"product_id":"bucher-by-hans-peter-feldmann","title":"Books 1969 - 2021 by Hans-Peter Feldmann","description":"\u003cblockquote\u003e\u003cem\u003e\u003cstrong\u003eIf there's one thing I can do right, it's watch.H.P.F\u003c\/strong\u003e\u003c\/em\u003e\u003c\/blockquote\u003e\n\u003cp\u003eThe Düsseldorf-based contemporary artist Hans-Peter Feldmann has been working with the medium of the book for 55 years and, in addition to his conceptual works, continuously produces artists' books. With 157 titles, Feldmann has presented a convolute, parts of which have been shown in exhibitions, in museums and galleries as well as at biennials and book fairs since the 1970s.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/books-1969-2021-by-hans-peter-feldmann-521491_480x480.jpg?v=1685389579\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-fragment=\"1\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Books1969-2021byHansPeterFeldmann-13_480x480.jpg?v=1685363937\" data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eHandmade, mimeographed books such as notebooks, book folders or spiral-bound books come together with printed edition books published by Feldmann himself or by other publishers.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/books-1969-2021-by-hans-peter-feldmann-103634_480x480.jpg?v=1685389579\" alt=\"\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-fragment=\"1\"\u003e\u003cimg style=\"display: block; margin-left: auto; margin-right: auto;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Books1969-2021byHansPeterFeldmann-15_480x480.jpg?v=1685363937\" data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe book collection comprises 50 unique books, most of which are handmade and serve as models for edition books. Some of these are exhibited and in rare cases sold. The reappraisal of the artist's books not only shows their diversity, but also points to a large number of still unknown copies.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.tipi-bookshop.be\/collections\/rare-photobook\/products\/voyeur-by-hans-peter-feldmann-from-1-to-7\" target=\"_blank\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Books1969-2021byHansPeterFeldmann-14_480x480.jpg?v=1685363937\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/fondationastichting.com\/en\/\" target=\"_blank\"\u003eVisit the exhibition in Brussels at the Fondation A Stichting\u003c\/a\u003e\u003c\/p\u003e","brand":"Walther König","offers":[{"title":"Default Title","offer_id":46822233866581,"sku":"HANS-BUCH","price":69.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/books-1969-2021-by-hans-peter-feldmann-273447.jpg?v=1685389578"},{"product_id":"ne-moublie-pas-belsunce-marseille-1965-1980-by-jean-marie-donat","title":"Ne M'oublie Pas - Belsunce, Marseille - 1965-1980 By Jean-Marie Donat","description":"\u003cp\u003eAucun nom inscrit au dos de l’image, aucune nationalité, aucune date non plus. Photos d’identité, photos grand format en pose de studio, portraits retouchés et pastellisés… Ce livre est né de la découverte par Jean-Marie Donat du fonds photographique du Studio Rex situé dans le quartier populaire de Belsunce à Marseille, essentiellement composé de photos de migrants d’Afrique du Nord et de l’Ouest.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn y trouve :\u003cbr data-mce-fragment=\"1\"\u003e– des photos dites « de portefeuille », des photos de famille prises dans le pays d’origine, attendant d’être copiées et parfois colorisées par le studio ;\u003cbr data-mce-fragment=\"1\"\u003e– des photos d’identités prises pour des raisons administratives telles que la demande de permis de séjour ;\u003cbr data-mce-fragment=\"1\"\u003e– des photos de studio, dans le style des photographies de Malick Sidibé, prises en France pour être envoyées aux proches restés au pays.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Ne_M_oublie_Pas_-_Belsunce_Marseille_-_1965-1980_By_Jean-Marie_Donat-19_480x480.jpg?v=1689593260\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eCes photos sont restées dans les archives de la boutique, les migrants n’ayant souvent pas le temps de venir les chercher avant de quitter la ville, pressés par une offre d’embauche autre part en France.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Ne_M_oublie_Pas_-_Belsunce_Marseille_-_1965-1980_By_Jean-Marie_Donat-3_480x480.jpg?v=1689593142\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eLa juxtaposition, la sélection et l’assemblage des 700 photographies, ainsi que les témoignages recueillis par l’auteure Souâd Belhaddad, proposent plusieurs points de vue qui se superposent, troublant la frontière entre le public et le privé, entre l’histoire de ces hommes et femmes en transit et celle d’un pays : une photographie administrative qui dévoile pourtant l’intime des visages en plan serré, une photographie de représentation, en pied, valorisante mais dont la mise en scène répétitive au fil des photos en montre la fragilité, et une photographie de l’intime, que l’on copie et modifie pourtant.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Ne_M_oublie_Pas_-_Belsunce_Marseille_-_1965-1980_By_Jean-Marie_Donat-7_480x480.jpg?v=1689593153\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003eNe m’oublie pas retisse en creux le dialogue rompu entre les deux rives de la Méditerranée en mettant en regard les photos apportées du pays d’origine et, en retour, celles prises en France à destination des proches restés au pays.\u003c\/p\u003e\n\u003cp\u003eLa presse en parle:\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.lemonde.fr\/culture\/article\/2023\/07\/02\/rencontres-d-arles-l-album-de-familles-de-jean-marie-donat_6180240_3246.html\" target=\"_blank\"\u003eLe monde\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.nouvelobs.com\/culture\/20230703.OBS75277\/les-images-ont-aussi-une-deuxieme-vie-les-amateurs-a-l-honneur-aux-rencontres-de-la-photographie-d-arles.html\" target=\"_blank\"\u003eLe nouvel OBS\u003c\/a\u003e\u003c\/p\u003e","brand":"Delpire","offers":[{"title":"Default Title","offer_id":47043657630037,"sku":"DO-NE","price":49.9,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/ne-moublie-pas-belsunce-marseille-1965-1980-by-jean-marie-donat-753598.jpg?v=1689594507"},{"product_id":"hidden-book-by-roberto-aguirrezabala","title":"Hidden Book by Roberto Aguirrezabala","description":"\u003cblockquote\u003e\u003cstrong\u003eThis artist book is a limited edition of 45 copies. This work is part of the concept of Self-Publishing as Resistance, which Aguirrezabala has been working on in recent years. It vindicates the value of self-publishing, beyond the industry, where the author produces each phase of publication as if it were a life cycle.\u003c\/strong\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe narrative is based on various plots drawn from a selection of fourteen novels banned by communist governments in the Eastern Bloc. Most of the novels deal with political issues, critical of Soviet supremacy over communist satellite countries, and sarcastically ironic of the social, economic and governmental environment in the homeland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"360\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/837499941?h=ab2b19dd12\u0026amp;byline=0\u0026amp;portrait=0\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/837499941\"\u003eHidden Book by Roberto Aguirrezabala\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/robertoaguirrezabala\"\u003eRoberto Aguirrezabala\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cp\u003e The Master and Margarita by the Russian writer Mikhail Bulgakov, White Book by Czech writer Pavel Kohout, The cafe on Cemetery Street by Czech writer Ota Filip, Life and Fate by Ukrainian writer and war correspondent Vasili Grossman, One Day in the Life of Ivan Denisovich by Russian writer Alexandr Solzhenitsyn, The Book of Laughter and Forgetting by Czech writer Milan Kundera, The Axe by writer and political activist Ludvík Vaculík, and The Cowards by Josef Skvorecky, co-founder of one of the most important publishing houses of Czech literature in exile, among others.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/HiddenBookbyRobertoAguirrezabalatipibookshop-7_480x480.jpg?v=1694597838\" style=\"display: block; margin-left: auto; margin-right: auto;\" width=\"615\" height=\"461\" data-mce-style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eHidden Book is structured into fourteen chapters, one for each novel on display. Each part presents a new design and even a different binding. An immensely baroque work in terms of its concept and form, which constantly seeks the physical and conceptual limits of the book as an object, while also continually questioning itself. Folding and binding are handmade by Aguirrezabala and also contain numerous artisan processes, such as embroidery on the fabric of the cover of the box, silkscreen printing, creasing, original cyanotype, pigment ink printing, photopolymer printing, and handwritten text, among others, which makes each copy a unique piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/HiddenBookbyRobertoAguirrezabalatipibookshop-3_480x480.jpg?v=1694597838\" style=\"display: block; margin-left: auto; margin-right: auto;\" data-mce-style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\" data-mce-style=\"color: #ff0000;\"\u003e\u003ca href=\"https:\/\/www.tipi-bookshop.be\/products\/samizdat-by-roberto-aguirrezabala\" title=\"samizdat\" style=\"color: #ff0000;\" target=\"_blank\" data-mce-style=\"color: #ff0000;\"\u003eWe still have Roberto Aguirrezabala previous book here : Samizdat\u003c\/a\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Roberto Aguirrezabala","offers":[{"title":"Default Title","offer_id":47260377940309,"sku":"HID-RER","price":433.77,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/hidden-book-by-roberto-aguirrezabala-333934.jpg?v=1694605741"},{"product_id":"passing-time-by-sage-sohier","title":"Passing Time by Sage Sohier","description":"\u003cblockquote\u003e\n\u003cstrong\u003e\u003cem\u003e\"During the isolation of the pandemic, I had the opportunity to revisit my archive of negatives and contact sheets from the 1980s, and discovered a number of interesting images that I had never printed. These photographs were made between 1979 and 1985 in a pre-digital, largely un-air-conditioned era, when people fled the heat of their houses to hang out in their yards and on the street. I notice a kind of relaxed sensuality in many of the pictures. Time moved more slowly; restlessness led to spontaneous play. Young people back then were fit and lean from running around outside with their friends and neighbors. \u003c\/em\u003e\u003c\/strong\u003eS.S\u003c\/blockquote\u003e\n\u003cp\u003eAs a young photographer, my rather grandiose ambition was to create a portrait of contemporary America by photographing people in their environments. I was obsessed with making the best complex pictures that I could of people hanging out in neighborhoods, in their homes, and on their porches. I had to work quite quickly, so that I could let people get back to whatever they were doing when I first asked if I could photograph them.\u003c\/p\u003e\n\u003cp\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wA-lnI6PkiU?si=hqBviG6M2cju4p84\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThough asking permission usually changed the dynamic of the situation, interesting things would often emerge when I was allowed to stay for longer than a picture or two.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Passing_Time_by_Sage_Sohier-5_600x600.jpg?v=1704802894\" alt=\"Passing Time by Sage Sohier\"\u003e\u003c\/p\u003e\n\u003cp\u003eIntruding on people’s personal space could feel awkward, and was never easy to do, but most of the time it seemed that my enthusiasm was contagious and people were able to relax and be themselves.” \u003cbr\u003e\u003cbr\u003e— From the Introduction by Sage Sohier\u003c\/p\u003e","brand":"Nazraeli","offers":[{"title":"Default Title","offer_id":47732204863829,"sku":"SA-GEA","price":75.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/passing-time-by-sage-sohier-302048.jpg?v=1704805890"},{"product_id":"france-1987-by-mark-steinmetz","title":"France 1987 by Mark Steinmetz","description":"\u003cblockquote\u003e\n\u003cem\u003e\u003cstrong\u003eIn 1987, there were no cell phones or digital cameras. To meet up with someone you had to set a time and a place and each of you had to stick to the plan. The seasons seemed to linger around more, and in general, everyone seemed to have more time. The parks, museums, and subways were less crowded. The rhythm of daily life was more relaxed. People were worried in 1987, but not as worried as we are now.”\u003c\/strong\u003e\u003c\/em\u003eM.S\u003c\/blockquote\u003e\n\u003cp\u003e“In the summer of 1987, I was 26 years old, a couple years out of graduate school, and living in a derelict apartment outside of Boston. I had received an artist’s residency in the South of France, and so, in August, I flew to Paris. I stayed a few weeks with close family friends in a top floor apartment on the Avenue de Wagram. My friends were working in fashion and film, and I was told my bed had once belonged to Jane Fonda before she became Barbarella.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/France_1987_by_Mark_Steinmetz-5_600x600.jpg?v=1704805339\" alt=\"France 1987 by Mark Steinmetz\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe weather was getting colder, and they gave me a brown corduroy jacket to wear that Jean Seberg (Godard’s Breathless, Preminger’s Bonjour Tristesse) had cried on. I would eat some breakfast and run around Paris photographing all day—hardly eating because I had no money—returning to their apartment for dinner and a glass of champagne. \u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/France_1987_by_Mark_Steinmetz-4_600x600.jpg?v=1704805338\" alt=\"France 1987 by Mark Steinmetz\"\u003e\u003c\/p\u003e\n\u003cp\u003eLater in the year, I went to the South to begin my artist’s residency at the Camargo Foundation, in Cassis, a town on the sea not far from Marseille. The writer Virginia Woolf, the pointillist Paul Signac, the fauvists André Derain and Raoul Dufy, and the Provençal poet Frédéric Mistral, had spent extended periods of time in Cassis. I took day trips from Cassis to Arles, Aix, Marseille, and Nice, and could process my film in the simple darkroom that was supplied to me.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"France 1987 by Mark Steinmetz\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/France_1987_by_Mark_Steinmetz-7_600x600.jpg?v=1704805339\" data-mce-fragment=\"1\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/France_1987_by_Mark_Steinmetz-7_600x600.jpg?v=1704805339\"\u003e \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Nazraeli","offers":[{"title":"Default Title","offer_id":47732316701013,"sku":"MAL-STE","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/france-1987-by-mark-steinmetz-879939.jpg?v=1704805778"},{"product_id":"daily-self-portraits-1972-1973-by-melissa-shook","title":"Daily self-portraits 1972–1973 by Melissa Shook","description":"\u003cblockquote\u003e\u003cem\u003e\u003cstrong\u003eIt was important to let my unconscious, rather than my intellect, dictate the progression. For reasons I don’t entirely understand, being nude became part of the project early on. And working against that white wall, near the two front windows in the so-called living room, became a central point.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/blockquote\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Ut9K5P2oQSQ?si=P15BGEURhaRARrUz\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eIn December 1972, Melissa Shook (1939–2020) began a series of daily self-portraits in her Lower East Side apartment that she would continue until August 1973. Daily Self-Portraits 1972–1973 is the artist’s complete series of 192 photographs published together for the first time. With her medium format, black and white photographs, Shook captures herself in a variety of poses creating a more complete portrait than could be achieved with any one image. \u003cbr\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/daily-self-portraits-19721973-by-melissa-shook-725438_480x480.jpg?v=1709052537\" alt=\"\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/dailyself-portraits1972_1973bymelissashookCOVER-2_600x600.jpg?v=1709051954\" alt=\"\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe photographs often include Shook’s daughter and the friends who populate her sphere. The viewer is introduced to the artist’s intimate domain and the mundanity of everyday existence comes to the forefront: nursing her ailing toe on the couch, sitting at the kitchen table with a friend, hair wrapped up in a towel post shower, dancing with her daughter.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cimg data-mce-fragment=\"1\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/daily-self-portraits-19721973-by-melissa-shook-450322_480x480.jpg?v=1709052537\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/daily-self-portraits-19721973-by-melissa-shook-450322_480x480.jpg?v=1709052537\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/dailyself-portraits1972_1973bymelissashook-11_600x600.jpg?v=1709051954\" alt=\"\" style=\"float: none;\"\u003e\n\u003c\/div\u003e","brand":"TBW books","offers":[{"title":"Default Title","offer_id":47940314431829,"sku":"MELI-SZA","price":60.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/daily-self-portraits-19721973-by-melissa-shook-672620.jpg?v=1709052536"},{"product_id":"factory-photobooks-by-bart-sorgedrager","title":"Factory Photobooks by Bart Sorgedrager","description":"\u003cblockquote\u003e\n\u003cem\u003e\u003cstrong\u003e*With Factory Photobooks we have an entire section of the photobook world that has remained hidden and unloved. So sit back and enjoy the many years of research that Bart Sorgedrager has invested to now produce a totally new chapter in the history of the photobook.\u003c\/strong\u003e \u003c\/em\u003eM.Parr\u003c\/blockquote\u003e\n\u003cblockquote\u003e\u003c\/blockquote\u003e\n\u003cp\u003eFactory Photobooks, 504 pages | illustrated with 1800 full color, is the definitive overview of an extraordinary subgenre of the photobook phenomenon. Factory photobooks were commissioned by companies that sought to use them to showcase their qualities, their innovative drive and pioneering spirit.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/FactoryPhotobooksbyBartSorgedrager22-10_600x600.jpg?v=1709645899\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe ambition to portray the firm in a unique light often led to amazing experiments with book forms, photography and graphic design. These impressive books reflected the design concepts of their time. Many of the photographers were completely unknown, although there are some world-famous names as well.\u003cbr\u003eBesides undiscovered gems, Factory Photobooks presents such iconic photobooks as Vuur aan zee (Fire beside the sea with photography by Ed van der Elsken, Paul Huf, Ata Kandó and Cas Oorthuys.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/FactoryPhotobooksbyBartSorgedrager22-5_600x600.jpg?v=1709645924\"\u003e\u003c\/div\u003e\n\u003cp\u003eAcquaint yourself with the factory photobook in an international context with this selection of more than 220 publications, brought together by expert, photographer and collector Bart Sorgedrager.\u003c\/p\u003e","brand":"nai010","offers":[{"title":"Default Title","offer_id":47971522806101,"sku":"BART-FAC","price":69.95,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/products\/factory-photobooks-by-bart-sorgedrager-508945.jpg?v=1709718911"},{"product_id":"the-place-we-live-by-robert-adams","title":"The Place We Live by Robert Adams","description":"\u003cp\u003eThe Place We Live traces Adams’ deep engagement with the geography of the American West, weaving together various aspects of over four decades of work into a cohesive, epic narrative of the American experience.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/ThePlaceWeLivebyRobertAdams4_600x600.jpg?v=1712140941\"\u003e\u003c\/div\u003e\n\u003cp\u003eTaken as a whole, this publication elucidates the photographer’s civic goals: to consider the privilege of the place we were given and the obligations of citizenship. Printed with an unprecedented fidelity to the photographer’s original prints, volumes one and two reflect Adams’ exacting, compelling sequence of nearly four hundred plates and bring together texts written by the photographer to accompany his photographic projects.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/ThePlaceWeLivebyRobertAdams7_600x600.jpg?v=1712140942\"\u003e\u003c\/div\u003e\n\u003cp\u003eVolume three offers a detailed chronology of Adams’ life, an illustrated bibliography of his monographs, selections from his personal archive, and a series of critical essays on hiswork by Joshua Chuang, Tod Papageorge, Jock Reynolds and John Szarkowski.\u003c\/p\u003e","brand":"Steidl","offers":[{"title":"Default Title","offer_id":48121167675733,"sku":"RORO-AD","price":190.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/the-place-we-live-by-robert-adams-436308.jpg?v=1712203023"},{"product_id":"frauen-by-hans-peter-feldmann","title":"Frauen by Hans-Peter Feldmann","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eONLY ONE COPY\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“80 per cent of artists are dealing with mother issues.” In this personal interview the internationally praised German artist Hans-Peter Feldmann muses on the magnetic power of women, and shares how he has used art as both escape and therapy.\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/FrauenbyHans-PeterFeldmannMorelTipibookshop-3_600x600.jpg?v=1712328957\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Make a job out of it and all is lost.” Feldmann does not consider being an artist to be his job, because considering it as such would smother his enthusiasm. Art, he feels, has been discredited by the sky-high sales through auction houses, which is a transaction between investors and collectors – not artists. But art simply should not be put on a pedestal: “Art is an ordinary part of life like sports, food and sleep.”\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/FrauenbyHans-PeterFeldmannMorelTipibookshop-6_480x480.jpg?v=1712328955\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImages of women attract Feldmann, who claims that the majority of artists are dealing with mother issues: “It’s always about women, about mothers, images of women.” As an example, he points out how public toilets for men are similar to ancient caves with their many drawings of vulvas.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/FrauenbyHans-PeterFeldmannMorelTipibookshop-5_600x600.jpg?v=1712328956\" alt=\"\" style=\"float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe repetitive function of collecting pictures is therapeutic to Feldmann, and makes things clear and tangible for him. Many artists use their art as a form of therapy, “as a flight to another world someone from the old world can’t access.” As for Feldmann, who too had mother-issues and grew up during the war and the post-war years, this was also the case: “… the images opened a world to me that was very, very lovely.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e","brand":"Morel Books","offers":[{"title":"Default Title","offer_id":48139730846037,"sku":"FR-SP","price":199.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/frauen-by-hans-peter-feldmann-389016.jpg?v=1712368315"},{"product_id":"the-soil-the-seeds-by-sebastiaan-and-emma-hanekroot","title":"The soil the seeds by Sebastiaan and Emma Hanekroot","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eSIGNED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOver the past 25 years, Sebastiaan Hanekroot has photographed places in Europe where the battles of the great wars of the 20th century took place. Sebastiaan was born as the youngest of a large family with a complicated history. The members of his family had personal memories of both world wars. The stories – often only half told – were part of Sebastiaan's youngest years.\u003c\/p\u003e\n\u003cp\u003eHe tries to get a grip on this history through his photography. He also tries to understand why certain emotions exist within him that he cannot exactly place. This is a project that spans generations. Sebastiaan is the 3rd generation. From that perspective, he invited his daughter Emma Hanekroot (performer and writer) to write a poetic text that reflects on the same theme.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/ThesoiltheseedsbySebastiaanandEmmaHanekroot-1_600x600.jpg?v=1712669196\"\u003e\u003c\/div\u003e\n\u003cp\u003eText and photos are two autonomous layers in this book. They share the same history as it has been passed down through the generations. Why do we keep remembering those wars? Why is it so difficult to let go of this, even now that almost everyone who has experienced it has died. Feelings of sadness and loss that do not belong to the authors themselves but still live on in them.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe book's design is based on the idea that stories and texts float around us wherever we go. As if he had a butterfly net, Sebastian caught them on the pages of a blank book. Sometimes the images are neatly on the page, sometimes they half fall off and sometimes they end up in pieces on multiple pages.\u003c\/p\u003e","brand":"Bijzondere boeken brigade","offers":[{"title":"Default Title","offer_id":48164520919381,"sku":"SOIL-SEE","price":59.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/the-soil-the-seeds-by-sebastiaan-and-emma-hanekroot-667314.jpg?v=1712700319"},{"product_id":"empowered-womanhood-combo","title":"Empowered womanhood COMBO","description":"\u003cp\u003eThe Empowered Womanhood COMBO is a set of 4 books at a special price:\u003c\/p\u003e\n\u003cp style=\"text-align: center;\"\u003e\u003cstrong\u003e\u003cem\u003eMère by Julie Scheurweghs\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eMy birth by Carmen Winant\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eThe Last Safe Abortion by Carmen Winant\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eInstructional Photography: Learning How to Live Now by Carmen Winant\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThese works by Carmen Winant and Julie Scheurweghs are connected through their exploration of deeply personal and often taboo topics, such as childbirth, reproductive rights, and motherhood. Both Winant's \"My Birth\" and \"The Last Safe Abortion\" delve into the complexities of women's experiences, challenging societal norms and advocating for autonomy and dignity in matters of reproductive health. Similarly, Scheurweghs' \"Mère\" examines the multifaceted nature of motherhood, inviting viewers to reflect on the joys, challenges, and contradictions inherent in this role.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Empowered_womanhood_COMBO_600x600.jpg?v=1713004274\" alt=\"\" style=\"float: none;\" data-mce-style=\"float: none;\" data-mce-src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Empowered_womanhood_COMBO_600x600.jpg?v=1713004274\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eFurthermore, Winant's approach in \"Instructional Photography: Learning How to Live Now\" intersects with the themes explored in both \"My Birth\" and \"The Last Safe Abortion.\" By deconstructing and reinterpreting vintage instructional photography manuals, Winant critiques the ways in which societal norms and expectations are constructed and perpetuated through imagery. This critical examination of visual culture resonates with Scheurweghs' exploration of the societal pressures and expectations surrounding motherhood.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\" data-mce-style=\"text-align: center;\"\u003e\u003cimg alt=\"Empowered womanhood COMBO - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/empowered-womanhood-combo-372078_480x480.jpg?v=1713031330\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003eOverall, these works by Winant and Scheurweghs are interconnected through their engagement with themes of gender, identity, and social norms, as well as their commitment to shedding light on the diverse and often marginalized experiences of women. Through their art, both photographers challenge viewers to reconsider established narratives and advocate for greater understanding, empathy, and autonomy in matters of reproductive health and maternal identity.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Empowered womanhood COMBO - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/empowered-womanhood-combo-480496_600x600.jpg?v=1713031329\" style=\"margin-bottom: 16px; float: none;\"\u003e\u003c\/div\u003e","brand":"Mack books","offers":[{"title":"Default Title","offer_id":48192161087829,"sku":"MOTH-COM","price":130.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/empowered-womanhood-combo-196385.jpg?v=1713031329"},{"product_id":"groundworks-by-mark-cohen","title":"Groundworks by Mark Cohen","description":"\u003cp data-mce-fragment=\"1\"\u003eMost of the pictures in this book were made over the last ten years.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eI walked around the city and took pictures just like I have always done with no preconceived idea of what subjects to select.\u003cbr data-mce-fragment=\"1\"\u003eOne picture at a time. Each complete in itself. Forty years ago I worked in the same way and with the same technique of taking a very fast and spontaneous image up into the camera and landing it on the film inside.Some of these pictures from the 1970’s are included as a way to illustrate my initial impulse to photograph still lifes. Often strange rebuses like images of snow flakes on a cabbage leaf. The picture possibility had to be decided almost unconsciously - so I snapped and I saw it for the first time in the darkroom, in the negative.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/GroundworksbyMarkCohen-4_480x480.jpg?v=1713789827\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThey are not all sharp or made by looking thru the viewfinder.\u003cbr data-mce-fragment=\"1\"\u003eThey are accidental and automatic. and taken furtively and quickly as if when I saw the man or the fragment of food or waste paper I wanted to just pick it up and place it into the cameras as a note - on a frame of the film inside.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThat way these pictures are discovered only after the film is developed. First I made a 16x20 inch print of each negative and in it the grain and composition of elements came out to help solidly fix the idea of sleeping on the sidewalk , near a curb attached to a small crust of bread.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/GroundworksbyMarkCohen-8_600x600.jpg?v=1713789823\"\u003e\u003c\/div\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWhat else may have happened is that in-between the few pictures of homeless people that are included is the grounding of their lives with the still lives and landscapes set between them.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt is a catalog of the surface that is with more detail and subjectivity than the modern global view from space.\u003c\/p\u003e","brand":"Super Labo","offers":[{"title":"Default Title","offer_id":48245948154197,"sku":"CO-GRO","price":52.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/groundworks-by-mark-cohen-846331.jpg?v=1713877943"},{"product_id":"state-of-emergency-by-max-pinckers","title":"State of emergency by Max Pinckers","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eState of Emergency interweaves fragmentary colonial archives, photographs of architectural and symbolic remnants from the past, mass grave sites, demonstrations and the testimonies of people who experienced and survived the war themselves.M.P\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eMax Pinckers got involved in the project as part of his exploration into how photographs can represent historical truths. He focused on the Mau Mau archives to understand how the British colonial authorities used photography as a tool of imperial control. Pinckers’ work in this area involved creating images that reflect on the nature of colonial photographic practices and their impact on the historical narrative of the Mau Mau uprising.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/State_of_emergency_by_Max_Pinckers_EXTR_600x600.jpg?v=1715094912\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003efocuses on a documentary project that explores the British colonial administration's manipulation of archives related to Kenya's Mau Mau uprising during the 1950s. Known as Operation Legacy, this initiative involved the destruction, concealment, and distortion of documents to control the historical narrative. The article discusses the recovery of these documents and their role in revisiting the Mau Mau's fight for independence through the eyes of survivors and veterans. It highlights how these archives have been used to address historical injustices and narrate a more accurate version of Kenya's colonial past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"margin-bottom: 16px; float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/StateofemergencybyMaxPinckers-8_600x600.jpg?v=1715094806\"\u003e\u003c\/div\u003e","brand":"Lyre press","offers":[{"title":"Default Title","offer_id":48335422587221,"sku":"ST-EF","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/state-of-emergency-by-max-pinckers-465605.jpg?v=1715135095"},{"product_id":"an-educational-archive-of-2863-slides-by-frido-troost","title":"An educational archive of 2863 slides by Frido Troost","description":"\u003cp\u003eThis book compiles the complete array of slides Frido Troost (1960-2013) utilized during his lectures at the Gerrit Rietveld Academie. Troost, who was an art historian, pioneered the collection of diverse photographic forms. His shop, the 'Institute for Concrete Matter,' showcased a broad spectrum of photographic art, ranging from daguerreotypes to albumen prints and from stereoscopic images to family albums.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/AnEducationalArchiveof2863SlidesbyFridoTroost33_600x600.jpg?v=1715095268\"\u003e\u003c\/div\u003e\n\u003cp\u003eThe visuals in this publication are derived from a variety of sources including paintings, advertisements, erotica, art pieces, and portraits. They assemble into a new collection that mirrors Troost's associative visual approach. The slides are organized into blocks of nine, echoing the non-hierarchical structure Troost employed in his teaching, which encourages viewers to freely connect the images. This eclectic compilation spans a significant swath of photographic history.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/AnEducationalArchiveof2863SlidesbyFridoTroost-5_600x600.jpg?v=1715095267\"\u003e\u003c\/div\u003e","brand":"APE books","offers":[{"title":"Default Title","offer_id":48335447392597,"sku":"FRI-DO","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/an-educational-archive-of-2863-slides-by-frido-troost-714596.jpg?v=1715134777"},{"product_id":"omen-the-farm-security-administration-archive-1935-1944-by","title":"Omen. The Farm Security Administration Archive 1935-1944 by","description":"\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe concept of an \"omen\" carries a rich history, originating from Latin to describe something that portends future events, whether good or bad. This idea is vividly illustrated in the 11th-century Bayeux Tapestry, where the passage of Halley's Comet is depicted as an omen foretelling the death of King Harold.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/OMEN.PHANTASMAGORIAATTHEFARMSECURITYADMINISTRATIONARCHIVE1935-1944-3.jpg?v=1720778907\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn the realm of photography, León Muñoz Santini and Jorge Panchoaga’s work, \"Omen,\" draws a parallel between these ancient signs and historical documentary photographs. They interpret these images as modern-day omens, offering a retrospective glance into our past while hinting at future implications.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/OMEN.PHANTASMAGORIAATTHEFARMSECURITYADMINISTRATIONARCHIVE1935-1944-7.jpg?v=1720778907\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThe documentary effort began in 1935 amid global political turmoil and environmental disasters. The Resettlement Administration (RA) and later the Farm Security Administration (FSA) tasked photographers like Dorothea Lange and Walker Evans to capture the era's struggles. This resulted in a powerful visual record that transcends time.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/OMEN.PHANTASMAGORIAATTHEFARMSECURITYADMINISTRATIONARCHIVE1935-1944-2.jpg?v=1720778907\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSantini and Panchoaga’s work resurrects these images, transforming them into a dialogue between past and present. By doing so, they challenge us to reconsider how we interpret historical photographs—not just as records of the past, but as active participants in shaping our understanding of the present and future.\u003c\/span\u003e\u003c\/p\u003e\n\u003c!----\u003e","brand":"Editorial RM","offers":[{"title":"Default Title","offer_id":49176665096533,"sku":"OM-ENS","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/omen-the-farm-security-administration-archive-1935-1944-by-924978.jpg?v=1720864748"},{"product_id":"flashpoint-protest-photography-in-print-1950-present","title":"Flashpoint! Protest Photography In Print 1950-Present","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFlashpoint!, an anthology focusing on protest photography in print, presents a global selection of photobooks, zines, posters, pamphlets, independent journals and alternative newspapers that address protest and resistance from 1950 to the present.\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eThe past seventy-five years have been a time of extreme social and cultural transformations worldwide. Political and social upheaval, often contentious, disorienting and polarizing, is now a daily reality. Whether migration crises, territorial disputes, gender inequity, class divisions, racism, war, gun violence or environmental concerns, we live in a world rife with ideological and tribal conflicts. \u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Flashpoint! Protest Photography In Print 1950 - Present - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/flashpoint-protest-photography-in-print-1950-present-552211.jpg?v=1730027738\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Flashpoint_ProtestPhotographyInPrint1950-Presenttipibookshop-11_600x600.jpg?v=1725908973\"\u003e\u003c\/div\u003e\n\u003cp\u003eSince its inception, photography has captured defining historical moments, serving as either a tool or a document of protest—or both. In placing photobooks next to posters, DIY zines and independent journals, Flashpoint! explores the diverse roles and varying aesthetics that photography in print undertakes in its support of protest and resistance. Is it a “tool” conceived through an “aesthetic of urgency” to be used during events as they unfold, as in an anonymously designed poster or ink-stained flier plastered on street walls? Or an elegantly designed photobook, published a year or more later, often with the help of well-known photographers, writers and designers, to document a past uprising? Whether outright rage or a more subtle artist-driven commentary, protest photography in print covers all of these formats and sometimes transcends rigid media definitions, as it blurs the lines between what constitutes a book, zine, journal, poster or newspaper.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\n\u003cimg alt=\"Flashpoint! Protest Photography In Print 1950 - Present - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/flashpoint-protest-photography-in-print-1950-present-643206.jpg?v=1730027738\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Flashpoint_ProtestPhotographyInPrint1950-Presenttipibookshop-8_600x600.jpg?v=1725908973\"\u003e\n\u003c\/div\u003e\n\u003cp\u003eSurveying more than 245 photography in print assets, Flashpoint! is structured thematically into seven broad chapters: Anti, Gender, Displacement, Race \u0026amp; Class, Environment, Political and War \u0026amp; Violence.\u003c\/p\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg alt=\"Flashpoint! Protest Photography In Print 1950 - Present - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/flashpoint-protest-photography-in-print-1950-present-522795.jpg?v=1730027738\"\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: center;\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Flashpoint_ProtestPhotographyInPrint1950-Presenttipibookshop-4_600x600.jpg?v=1725908972\"\u003e\u003c\/div\u003e\n\u003cp\u003eEach chapter includes multiple sub-themes that address resistance related to\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eanti-government,\u003c\/li\u003e\n\u003cli\u003eanti-globalization,\u003c\/li\u003e\n\u003cli\u003ewomen’s rights,\u003c\/li\u003e\n\u003cli\u003eAIDS,\u003c\/li\u003e\n\u003cli\u003eanti-apartheid,\u003c\/li\u003e\n\u003cli\u003ecivil rights,\u003c\/li\u003e\n\u003cli\u003eanti-imperialism,\u003c\/li\u003e\n\u003cli\u003eworkers’ rights,\u003c\/li\u003e\n\u003cli\u003eterritorial disputes,\u003c\/li\u003e\n\u003cli\u003estudent protests,\u003c\/li\u003e\n\u003cli\u003enational populism,\u003c\/li\u003e\n\u003cli\u003eanti-colonialism,\u003c\/li\u003e\n\u003cli\u003erevolution and gun violence, among others.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eIncluded are illustrations and detailed descriptions of photography books, fliers, journals, alternative newspapers, posters and zines from Argentina, Brazil, Chile, China, France, Italy, Japan, Kenya, Korea, Mexico, Mozambique, Myanmar, New Zealand, Spain, South Africa, Thailand, Ukraine, United Kingdom, United States, and more!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSize: 31 cm x 24 cm\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003ePages: 576\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eImages: 760\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e——\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eContributing Essayists:\u003c\/strong\u003e\u003c\/span\u003e Makeda Best, Hannah Darabi, Arthur Fournier, Marc Feustel, Kerry Manders, Elisa Medde, Mark Sealy and Pauline Vermare.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cstrong\u003eContributing Book Description Researchers-Writers:\u003c\/strong\u003e\u003c\/span\u003e Kyle Canter, Claire Carcara, Kimber Chewning, Diana Flatto, Keavy Handley-Byrne, Nawang Tsomo Kinkar, Eliza McDonough, Casey Monroe, Frankie Moutafis, Marjorie Ornston and Alexandra Varga.\u003c\/p\u003e","brand":"10x10 Photobooks","offers":[{"title":"Default Title","offer_id":49489002135893,"sku":"FLA-SHP","price":91.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/flashpoint-protest-photography-in-print-1950-present-315129.jpg?v=1730027738"},{"product_id":"we-came-for-games-by-roberto-aguirrezabala","title":"We Came for Games by Roberto Aguirrezabala","description":"\u003cp\u003eWe Came for Games is a profoundly humanist project, championing the ideals of equality, mutual respect, and solidarity across people and cultures. This artist’s book is set in Barcelona in mid-July 1936, a city poised to host the People’s Olympiad—a monumental act of international anti-fascist resistance.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/WeCameforGamesbyRobertoAguirrezabala-15.jpg?v=1733411419\"\u003e\u003cimg alt=\"We Came for Games by Roberto Aguirrezabala - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/we-came-for-games-by-roberto-aguirrezabala-888142.jpg?v=1733502128\"\u003e\u003c\/p\u003e\n\u003cp\u003eThat same year, the official Olympic Games were scheduled to take place in Berlin under Hitler’s regime, a spectacle of Nazi propaganda. Barcelona’s counter-event was conceived as an extraordinary gesture of defiance, a celebration of peace and unity through sport and regional folklore—a rare and ambitious vision.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/WeCameforGamesbyRobertoAguirrezabala-5.jpg?v=1733411419\"\u003e\u003cimg alt=\"We Came for Games by Roberto Aguirrezabala - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/we-came-for-games-by-roberto-aguirrezabala-647216.jpg?v=1733502128\"\u003e\u003c\/p\u003e\n\u003cp\u003eTragically, the People’s Olympiad never came to pass. On the eve of its opening ceremony, Spain was plunged into civil war by a fascist coup. Hundreds of young athletes from around the globe, who had just arrived for the games, chose to stay and defend the Spanish Republic rather than return home.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/WeCameforGamesbyRobertoAguirrezabala-8.jpg?v=1733411419\"\u003e\u003cimg alt=\"We Came for Games by Roberto Aguirrezabala - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/we-came-for-games-by-roberto-aguirrezabala-277277.jpg?v=1733502128\"\u003e\u003c\/p\u003e\n\u003cp\u003eThese sportsmen and women exchanged their athletic pursuits for arms, becoming part of a nascent resistance. Their presence laid the groundwork for the International Brigades, a force of global solidarity that fought until 1938, when it was finally disbanded. They came for games, but stayed to fight for a cause far greater.\u003c\/p\u003e","brand":"Roberto Aguirrezabala","offers":[{"title":"Default Title","offer_id":49980544123221,"sku":"GA-MES","price":234.06,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/we-came-for-games-by-roberto-aguirrezabala-609515.jpg?v=1733502128"},{"product_id":"yoko-by-masahisa-fukase","title":"Yoko by Masahisa Fukase","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMasahisa Fukase’s \u003cstrong\u003eYoko\u003c\/strong\u003e, first published in 1978, remains one of the most intimate and unsettling works in Japanese photography. At its heart is Yoko Miyoshi—\u003cstrong\u003eFukase’s wife\u003c\/strong\u003e, muse, and perhaps a mirror—captured in moments that seem to hover between affection and estrangement. Through his lens, she becomes both subject and specter, caught in a web of glances and silences that hint at the complexity of their bond.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Yoko by Masahisa Fukase - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/yoko-by-masahisa-fukase-288397.jpg?v=1741874349\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/YokobyMasahisaFukasetipibookshopakaaka-8.jpg?v=1741859497\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eDescribed by some as a kind of sorcerer, Fukase used his camera to reach beyond appearances, conjuring images that feel more like fragments of dreams or memories than simple portraits. Yet, looking at Yoko, one cannot help but wonder: who is really being seen? The woman before the lens, or the man behind it—projecting his own longing, fear, and solitude? What does it mean to repeatedly photograph someone you love, and what remains when only the images are left?\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"Yoko by Masahisa Fukase - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/yoko-by-masahisa-fukase-801388.jpg?v=1741874348\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/YokobyMasahisaFukasetipibookshopakaaka-12.jpg?v=1741859493\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow, nearly five decades later, Yoko returns in a new edition, overseen by the Masahisa Fukase Archives and supported by Yoko herself. Alongside the original photographs and texts, this reprint brings new reflections, including an essay by Masako Toda and Yoko’s own words revisiting the work. With a renewed design, the book invites us to look again—more slowly—at the fragility of human connection as it unfolds in these pages.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/YokobyMasahisaFukasetipibookshopakaaka-13.jpg?v=1741859493\" alt=\"\"\u003e\u003cimg alt=\"Yoko by Masahisa Fukase - Tipi bookshop\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/yoko-by-masahisa-fukase-836350.jpg?v=1741874347\"\u003e\u003c\/p\u003e\n\u003cp\u003eTo enter Yoko is to step into an unresolved space—where love, pain, and distance overlap. It is less a story told than a relationship glimpsed through a fractured lens. Between the tender and the haunting, between Yoko’s gaze and Fukase’s, what lingers is a profound question: \u003cstrong\u003eWhat does it mean to truly see another person—and what is left of that vision when love is gone?\u003c\/strong\u003e\u003c\/p\u003e","brand":"Akaaka books","offers":[{"title":"Default Title","offer_id":50430198612309,"sku":"YO-KOKO","price":58.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/yoko-by-masahisa-fukase-646676.jpg?v=1741874286"},{"product_id":"homo-ludens-by-masahisa-fukase","title":"Homo Ludens by Masahisa Fukase","description":"\u003cp\u003e\u003cstrong\u003eMasahisa Fukase’s Origin: Homo Ludens — Reawakened After Half a Century\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMasahisa Fukase’s Homo Ludens (Yugi) — first published in 1971 as part of Chuo-koron-sha’s Contemporary Images series — marks the genesis of a singular and uncompromising photographic vision. Now, more than fifty years later, this \u003cstrong\u003eseminal body of work\u003c\/strong\u003e returns in a newly reconfigured edition that invites us to revisit and reexamine the roots of Fukase’s profound exploration of intimacy, play, and mortality.\u003c\/p\u003e\n\u003cp\u003eEdited by the legendary Shoji Yamagishi, Homo Ludens gathers photographs spanning over a decade — a foundational anthology from which Fukase’s later masterpieces would emerge. The book unfolds in six evocative chapters, each confronting the entanglements of life and death, connection and estrangement, through the artist’s relentless gaze:\u003c\/p\u003e\n\u003cp\u003e— \u003cstrong\u003eTo (Slaughter)\u003c\/strong\u003e: A harrowing juxtaposition of Yoko Wanibe, Fukase’s wife and muse, draped in a black cloak within a slaughterhouse — a haunting meditation on vulnerability and violence.\u003cbr\u003e— \u003cstrong\u003eKotobuki (Congratulation)\u003c\/strong\u003e: An intimate portrayal of Fukase’s early married life with Yoko, unfolding like a “private novel,” as raw as it is tender.\u003cbr\u003e— \u003cstrong\u003eGi (Frolic)\u003c\/strong\u003e: Scenes from Shinjuku’s underground culture, where Fukase wandered after leaving Yoko, capturing a restless youth in communal living — lives at the edge, in search of meaning.\u003cbr\u003e— \u003cstrong\u003eMei (Memento)\u003c\/strong\u003e: One of Fukase’s earliest photographic works, reflecting on the pregnancy of his former partner Yukiyo Kawakami — a visual memoir of love and impending loss.\u003cbr\u003e— \u003cstrong\u003eHaha (Mother) and Fu (Music)\u003c\/strong\u003e: Intimate vignettes of Yoko and her mother, small yet potent studies of familial bonds.\u003c\/p\u003e\n\u003cp\u003eThroughout Homo Ludens, Fukase relentlessly turns his lens on himself and those closest to him — lovers, family, friends — offering an unflinching inquiry into the \u003cstrong\u003ehuman condition\u003c\/strong\u003e as a kind of play, where joy and cruelty, life and death, are inseparably entwined. The work becomes a theater of vulnerability, a stage where love, estrangement, and mortality perform their eternal dance.\u003c\/p\u003e\n\u003cp\u003eThis \u003cstrong\u003elong-awaited reprint\u003c\/strong\u003e brings together all photographs and texts from the original, while introducing a redesigned visual structure that emphasizes the dialogue between image and space — an homage to the multilayered meaning of Homo Ludens (“Man the Player”). The re-edition reflects a \u003cstrong\u003etimeless response\u003c\/strong\u003e to Fukase’s vision, amplifying its resonance for contemporary audiences.\u003c\/p\u003e\n\u003cp\u003eFar beyond a historical artifact, Homo Ludens remains a vital, disquieting, and beautiful work — one that not only deepens our understanding of Fukase’s oeuvre but also challenges us to reconsider the \u003cstrong\u003every act of seeing\u003c\/strong\u003e, and what it means to live and play in a fragile world.\u003c\/p\u003e","brand":"Akaaka books","offers":[{"title":"Default Title","offer_id":50430212145493,"sku":"LU-DENS","price":58.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/homo-ludens-by-masahisa-fukase-247443.jpg?v=1741874288"},{"product_id":"nicaragua-june-1978-july-1979-by-susan-meiselas","title":"Nicaragua ; June 1978–July 1979 by Susan Meiselas","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eOriginally published in 1981, and now in a third edition, Susan Meiselas’s Nicaragua is a contemporary classic—a seminal contribution to the literature of concerned photography.\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNicaragua forms an extraordinary narrative of a nation in turmoil. Starting with a powerful and chilling evocation of the Somoza regime during its decline in the late 1970s, the images trace the evolution of the popular resistance that led to the insurrection, culminating with the triumph of the Sandinista revolution in 1979.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Nicaragua-June1978_July1979bySusanMeiselas-8.jpg?v=1743164364\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe book includes interviews of various participants in the revolution, many of whom Meiselas got to know while photographing them. Excerpts from these interviews, gathered during her return to Nicaragua in early 1981, accompany the plates in the book. In 2008, on the thirtieth anniversary of the popular insurrection, and of Meiselas’s first trip to Nicaragua, Aperture published a new edition.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Nicaragua-June1978_July1979bySusanMeiselas-7.jpg?v=1743164364\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eNow, as the fortieth anniversary approaches, Aperture is pleased to reissue the book with an augmented reality (AR) function, bringing a selection of images to life via clips from Meiselas’s films Pictures from a Revolution (1991), in which she returns to the scenes she originally photographed, tracking down subjects and interviewing them, and Reframing History (2004), a documentation of her return in 2004 with nineteen mural-sized images of her photographs from 1979, to collaborate with local communities to create sites for collective memory.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Nicaragua-June1978_July1979bySusanMeiselas-6.jpg?v=1743164364\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eA conversation with Kristen Lubben addresses the history of Meiselas’s work in Nicaragua, how it has been circulated, revisited, repatriated, and reconsidered—how and why it endures. Meiselas and Alfred Guzzetti, coproducer and codirector of Pictures from a Revolution, expand upon this as they discuss the layered content experience of AR.\u003c\/p\u003e","brand":"Tipi bookshop","offers":[{"title":"Default Title","offer_id":50512087449941,"sku":"SU-SANN","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/nicaragua-june-1978july-1979-by-susan-meiselas-654557.jpg?v=1743199006"},{"product_id":"the-true-america-by-ernest-cole","title":"The True America by Ernest Cole","description":"\u003cp\u003eThe first publication of Ernest Cole’s photographs depicting Black lives in the United States during the turbulent and eventful late 1960s and early 1970s. After the publication of his landmark 1967 book House of Bondage on the horrors of apartheid, Ernest Cole moved to New York and received a grant from the Ford Foundation to document Black communities in cities and rural areas of the United States. He released very few images from this body of work while he was alive.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/dvM984iYEHc?si=0T_uYEOjq_jXNNEk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eThought to be lost entirely, the negatives of Cole’s American pictures resurfaced in Sweden in 2017. Ernest Cole photographed extensively in New York City, documenting the lively community of Harlem, including a thrilling series of color photographs, as he turned his talent to street photography across Manhattan. In 1968 Cole traveled to Chicago, Cleveland, Memphis, Atlanta, and Los Angeles, as well as rural areas of the South, capturing the mood of different Black communities in the months leading up to and just after the assassination of Martin Luther King Jr. The pictures both reflect a newfound hope and freedom that Cole felt in America, and an incisive eye for inequality as he became increasingly disillusioned by the systemic racism he witnessed.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/TheTrueAmericabyErnestCole-2.jpg?v=1743171258\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThis treasure trove of rediscovered work provides an important window into American society and redefines Cole’s oeuvre, presenting a fuller picture of the life and work of a man who fled South Africa and exposed life under apartheid to the world.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":50512477323605,"sku":"ERN-COLD","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/the-true-america-by-ernest-cole-944719.jpg?v=1743198999"},{"product_id":"archive-of-dreams-surrealist-impulses-networks-and-vision","title":"Archive of Dreams - Surrealist Impulses, Networks, and Vision","description":"\u003cp\u003eThe book \u003cstrong\u003eArchive of Dreams\u003c\/strong\u003e is published in conjunction with the exhibition of the same name that will open the Archiv der Avantgarden. \u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Archive_of_Dreams_-_Surrealist_Impulses_Networks_and_Vision-1.jpg?v=1743513607\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eMarking the hundredth anniversary of the first surrealist manifesto and the founding of the Bureau of Surrealist Research in Paris in 1924, \u003cbr\u003ethe volume is dedicated to the surrealist movement as well as the networks it engendered and the artistic stimuli it provided in the twentieth century. \u003cbr\u003eThe idea was for the Bureau to collect dream testimonies in whatever form, not only to preserve and analyse them but also to give active expression to them in artistic processes.\u003c\/p\u003e\n\u003cp\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/Archive_of_Dreams_-_Surrealist_Impulses_Networks_and_Vision-3.jpg?v=1743513342\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe publication shows how the practices of the avant-gardes blurred the boundaries between dream and reality, between the traditional, passive notion of the archive and the idea of active, innovative artistic experiment—and thus ultimately also between the past, the present, and possible futures.\u003c\/p\u003e\n\u003cp\u003e1. Archive of Dreams: Between the Bureau of Surrealist Research and the Labyrinth of Knowledge – Przemysław Strożek (p.26)  \u003cbr\u003e2. \u003cstrong\u003eAutomatism, Biomorphic Forms and Surrealist Bodies\u003c\/strong\u003e (p.88)  \u003cbr\u003e3. Claude Cahun, Dreams (pp.106–107)  \u003cbr\u003e4. \u003cstrong\u003eCollobert, Duval\u003c\/strong\u003e, Lazare, Dreams (p.99)  \u003cbr\u003e5. Decentering the World Map in the Time of Surrealism (p.170)  \u003cbr\u003e6. \u003cstrong\u003eDialogues with Surrealism\u003c\/strong\u003e: From Art Brut to Situationist International (p.244)  \u003cbr\u003e7. Dreams That Money Can Buy (1947): Psychoanalysis, Surrealist Office and the Process of Assembling an Avant-Garde Archive – Przemysław Strożek (p.134)  \u003cbr\u003e8. \u003cstrong\u003eDream Notes\u003c\/strong\u003e, Archived Dreams (p.76)  \u003cbr\u003e   - Robert Desnos, Dreams (p.77)  \u003cbr\u003e   - André Breton, Three Dreams (pp.78–79)  \u003cbr\u003e   - Giorgio de Chirico, Dreams (p.87)  \u003cbr\u003e9. DYN’s Archival Visions of Surrealism in Mexico – Erin McClenathan (p.184)  \u003cbr\u003e10. \u003cstrong\u003eEgidio Marzona\u003c\/strong\u003e in Conversation with Friederike Fast (p.312)  \u003cbr\u003e11. Fallen Dreams and Miraculous Constellations: Notes on Archival Modernism – Sven Spieker (p.64)  \u003cbr\u003e12. \u003cstrong\u003eFighting Hitler and His Ideology\u003c\/strong\u003e (p.200)  \u003cbr\u003e13. Geoffrey Hendricks, [Dream] \/ Carolee Schneemann, [Dream] (p.293)  \u003cbr\u003e14. \u003cstrong\u003eJindřich Štyrský\u003c\/strong\u003e, The Dream of the Father \/ Meret Oppenheim, Dream (p.215)  \u003cbr\u003e15. Labyrinths of Myth and Desire – Kristoffer Noheden (p.218)  \u003cbr\u003e16. \u003cstrong\u003eMan Ray\u003c\/strong\u003e, Dream (p.303)  \u003cbr\u003e17. Networked Dreams and Archiving Practices (p.118)  \u003cbr\u003e18. \u003cstrong\u003eNetworked Dreams in Exile\u003c\/strong\u003e: Surrealists in New York in the 1940s (p.128)  \u003cbr\u003e19. Performing Dreams: Geoffrey Hendricks and Carolee Schneemann – David Wittinghofer (p.294)  \u003cbr\u003e20. \u003cstrong\u003eSelf-Archiving Practices by Marcel Duchamp\u003c\/strong\u003e (p.234)  \u003cbr\u003e21. Surrealism and the Popular Culture (p.270)  \u003cbr\u003e22. \u003cstrong\u003eSurrealism, art history and the Old Masters Gallery in Dresden\u003c\/strong\u003e (p.306)  \u003cbr\u003e23. Surrealist Manifestos (p.70)  \u003cbr\u003e24. \u003cstrong\u003eTowards Surrealism\u003c\/strong\u003e (p.40)  \u003cbr\u003e25. What is the Minotaur? (p.164)  \u003cbr\u003e26. \u003cstrong\u003eCounterculture\u003c\/strong\u003e Cinema as Archival Labyrinth: Charles Henri Ford’s Queer Cult Film, *Johnny Minotaur* (1971) – Abigail Susik (p.276)  \u003cbr\u003e27. Activist and Countercultural Networks of Surrealism (p.258)  \u003cbr\u003e\u003c\/p\u003e","brand":"Tipi bookshop","offers":[{"title":"Default Title","offer_id":50529165476181,"sku":"AR-SUR","price":43.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/archive-of-dreams-surrealist-impulses-networks-and-vision-272128.jpg?v=1743521551"},{"product_id":"and-then-there-was-the-night-by-wysocka-pogo","title":"And then there was the night by Wysocka \/ Pogo","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cstrong\u003eSigned Copies\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIn a time oversaturated with high-resolution clarity, algorithmic recommendations, and endless visual consumption, And then there was the night enacts a deliberate reversal—a movement into the shadow, into grain, into ambiguity. The work of Wysocka Magdalena \u0026amp; Claudio Pogo becomes a kind of visual incantation, summoning ghosts not to reveal truth, but to question the very desire for it.\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7BetFBOCdc4?si=jJxGzrtrL4wovJIN\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/AndthentherewasthenightbyWysocka-Pogo-9.jpg?v=1744388057\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eTheir use of decayed, rephotographed zine material—originally culled from a nearly lost 1920s pornographic film—invokes an aesthetic of rupture. Rather than restoring the past, they mythologize it. The so-called Vampire from Dachauer Moor is not a character to be known, but to be felt—an unstable figure conjured from scraps, flickering at the edge of memory and imagination.\u003c\/p\u003e\n\u003cp\u003eHere, myth is resistance: to surveillance culture, to historical sanitization, to the endless demand for legibility. In embracing the fragmented, the erotic, the obscure, the artists reclaim a visual space for slowness, for suspicion, for doubt. Where contemporary media insists on immediacy and exposure, this work luxuriates in concealment.\u003c\/p\u003e\n\u003cp\u003eDarkness is not absence here, but potential—the site where new, untamable narratives form. The night becomes a kind of radical archive: not to preserve, but to transform; not to show, but to suggest. The vampire, then, is less a monster than a medium—feeding not on blood, but on the forgotten textures of discarded imagery.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/opendoors.gallery\/qa-with-wysocka-pogo\" rel=\"noopener\" target=\"_blank\"\u003eInterview with Tom Page from Open door website\u003c\/a\u003e\u003c\/p\u003e","brand":"Outer space press","offers":[{"title":"Default Title","offer_id":50546543296853,"sku":"NPG-PO","price":95.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/and-then-there-was-the-night-by-wysocka-pogo-911735.jpg?v=1744400262"},{"product_id":"1987-by-toshio-shibata","title":"1987 by Toshio Shibata","description":"\u003cp\u003eIn the lead-up to the 1989 World Design Exposition in Nagoya, the visionary gallerist Etsuro Ishihara—founder of the Zeit-Foto Salon—invited renowned photographer Toshio Shibata to embark on a series of journeys through Egypt and Turkey.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/1987byToshioShibata-9.jpg?v=1747750002\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eThe photographs gathered in this volume are the quiet yet resonant echoes of that commission, all taken in 1987 during Shibata’s second passage through the surreal terrain of Cappadocia and along Egypt’s Aswan Western Agricultural Road—a route that threads beside the Nile for more than 400 miles, from Cairo to Luxor, tracing the canal that shadows its western bank.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/1987byToshioShibata-12.jpg?v=1747750002\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eCaptured five years before his first published works, and offering a rare turn toward portraiture, these images reveal a formative moment in Shibata’s practice. Faced with unfamiliar geographies and cultures, his lens begins to trace the visual language that would later define his art: a tension between nature and the constructed world, rendered with quiet intensity and a painter’s command of light.\u003c\/p\u003e\n\u003cp\u003eEven in these early photographs, we see the shaping of a vision—measured, deliberate, and unmistakably his.\u003c\/p\u003e","brand":"Dead beat club press","offers":[{"title":"Default Title","offer_id":50808196759893,"sku":"TO-CHI","price":28.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/1987-by-toshio-shibata-775382.jpg?v=1747750213"},{"product_id":"augure-by-rodrigue-de-ferluc","title":"Augure by Rodrigue de Ferluc","description":"\u003cp class=\"p1\"\u003eUn puzzle visuel, composé à partir de coupures de presse des années 60–70.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEntre actualité, publicité et propagande douce.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRodrigue de Ferluc assemble des images extraites d’un grand magazine d’information français — où reportages de guerre, annonces pour voitures ou rasoirs, visages de dirigeants et stars de cinéma se côtoient sans hiérarchie.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eAugure\u003c\/i\u003e interroge ce télescopage : où commence le récit ? Où s’arrête la publicité ?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEt dans ce mélange, que reste-t-il de la photographie comme témoin du réel ?\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUne époque floue. Un regard précis.\u003c\/p\u003e","brand":"RNVP","offers":[{"title":"Default Title","offer_id":50904933761365,"sku":"AU-ER","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/augure-by-rodrigue-de-ferluc-393741.jpg?v=1749566432"},{"product_id":"album-900-by-lucia-pescador","title":"Album 900 by Lucia Pescador","description":"\u003cp\u003eEt si ce que nous voyons ici n’était pas une œuvre au sens habituel, mais un territoire de mémoire — un lieu où les images ne racontent pas, mais murmurent ?\u003cbr\u003eElles ne s’imposent pas. Elles se déposent.\u003cbr\u003eFeuilletées, effleurées, comme des traces anciennes dans la poussière d’un atelier invisible.\u003c\/p\u003e\n\u003cp\u003eQue cherchons-nous, en vérité, en observant cette composition fragmentaire ?\u003cbr\u003eUn sens, peut-être. Un fil conducteur. Une origine.\u003cbr\u003eMais ici, rien ne commence vraiment, rien ne s’achève tout à fait.\u003cbr\u003eTout est reprise, écho, recombinaison.\u003c\/p\u003e\n\u003cp\u003eL’œuvre se fait constellation — non pas fixe, mais mouvante — dont chaque élément appelle un autre, dans un réseau d’associations infinies.\u003cbr\u003eUn vase convoque un arbre.\u003cbr\u003eUne photographie renverse une ombre.\u003cbr\u003eUn papier jauni devient plus éloquent qu’un discours.\u003cbr\u003eEt toujours, au centre, quelque chose qui échappe : un vide structurant, une absence pleine.\u003c\/p\u003e\n\u003cp\u003eL’artiste ne nous livre pas une vérité. Elle propose une dérive.\u003cbr\u003eUn jeu savant de juxtapositions, où chaque fragment porte en lui la mémoire d’un autre.\u003cbr\u003eIci, l’archive devient un organisme vivant : elle respire, elle s’efface, elle recommence.\u003cbr\u003eChaque composition est une tentative d’organiser le chaos — non pour le dominer, mais pour l’habiter.\u003c\/p\u003e\n\u003cp\u003eAlors la question surgit :\u003cbr\u003eQue voyons-nous, vraiment ?\u003cbr\u003eEst-ce une collection ? Un atlas ? Une autobiographie cryptée ?\u003cbr\u003eOu bien simplement une manière de tenir ensemble ce qui, autrement, serait dispersé à jamais ?\u003cbr\u003eUne forme de soin, peut-être. Une manière de retenir le temps, sans le figer.\u003c\/p\u003e\n\u003cp\u003eEt si l’œuvre n’était pas tant ce que nous regardons, mais ce qui nous regarde en retour ?\u003cbr\u003eUn miroir de nos propres manques, de nos tentatives d’ordre, de notre besoin de récit.\u003cbr\u003eUn espace mental, ouvert, poreux —\u003cbr\u003eoù chaque regardeur devient, à son tour, assembleur.\u003c\/p\u003e\n\u003cp\u003eCar au fond, dans cette matière recomposée, ce que nous touchons —\u003cbr\u003ece n’est pas l’objet.\u003cbr\u003eC’est le geste.\u003cbr\u003eUn geste fragile, modeste, mais infiniment puissant :\u003cbr\u003ecelui de recueillir ce qui pourrait disparaître,\u003cbr\u003eet d’en faire, à nouveau, une présence.\u003c\/p\u003e","brand":"palermo","offers":[{"title":"Default Title","offer_id":50908183920981,"sku":"PAS-ACE","price":70.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/album-900-by-lucia-pescador-576575.jpg?v=1749660055"},{"product_id":"quartet-by-daido-moriyama","title":"Quartet by Daido Moriyama","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eAn anthology of the four seminal photobooks that form the foundation of Daido Moriyama's photographic career\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eQuartet explores Daido Moriyama’s early career through four foundational photobooks that highlight his place as one of Japan’s most radical photographers: Japan: A Photo Theater; A Hunter; Farewell Photography; and Light and Shadow.\u003c\/p\u003e\n\u003cp\u003eRooted in the complexities of Japan during a transformative era from 1968 to the early 1980s, these seminal photobooks not only offer profound insights into the nation’s evolving cultural, economic and social landscape, but also trace the emergence and development of Moriyama’s distinct style.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-21.jpg?v=1757067120\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eMark Holborn – A Performance\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eHolborn places Daido Moriyama’s raw and restless images against Japan’s sweeping transformation—from postwar ruins to the neon streets of Shinjuku. He shows how Moriyama forged a “photography of performance,” capturing chaos, fleeting gestures, and fragments of memory in a society caught between tradition and modernity. This essay reads like a cultural history in motion, showing how Moriyama turned the street into his stage and his camera into a restless actor.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-19.jpg?v=1757067120\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDaido Moriyama – Unexpected Encounters (1960s)\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eMoriyama reflects on his explosive debut, \u003ci\u003eJapan: A Photo Theater\u003c\/i\u003e. Through fragments of theatre, American military bases, and Tokyo’s underbelly, he reveals how his collaboration with poet Shuji Terayama unlocked a personal photographic language. These pages are less memoir than confession, tracing the urgency of a young artist who found his voice by dismantling reality and reassembling it into a new, unsettling vision of Japan.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-17.jpg?v=1757067120\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDaido Moriyama – A Hunter\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eIn this chapter, Moriyama recounts his restless years of wandering, camera in hand, turning highways, stray dogs, and industrial sprawl into a metaphor for modern Japan. His approach was less about documenting than “hunting” reality—shooting relentlessly, as if photography itself was survival. This text embodies the fierce independence that made \u003ci\u003eA Hunter\u003c\/i\u003e one of his most legendary works, a visual road novel echoing Jack Kerouac in Japanese streets.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-15.jpg?v=1757067121\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eTadanori Yokoo – A Cowering Eye\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eGraphic designer and provocateur Yokoo offers an intimate, sometimes unsettling portrait of Moriyama. Struggling with the language of praise, he describes the photographer as both victim and assailant, detached yet frighteningly beautiful. For Yokoo, Moriyama’s pictures are like bad dreams—sexually charged, political in spite of themselves, and impossible to shake off. The essay bristles with tension and admiration, itself a mirror of Moriyama’s uneasy gaze.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-10.jpg?v=1757067120\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDaido Moriyama – Farewell Photography\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eHere Moriyama recounts his most radical and nihilistic project—a book that tore apart the very medium of photography. Scratched negatives, sprockets, and found images collapse into a torrent of chaos, rejecting clarity and narrative. This is the voice of an artist who had lost faith in images, society, even himself, but who dared to turn that despair into one of the most daring photo-books ever made.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-18.jpg?v=1757067120\" alt=\"\"\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cb\u003eDaido Moriyama – Unexpected Encounters (1972–82): Towards Light and Shadow\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis essay is Moriyama’s reckoning with a turbulent decade of addiction, disillusionment, and slow renewal. Between workshops, failed projects, and deep personal struggles, he clawed his way back to clarity with \u003ci\u003eLight and Shadow\u003c\/i\u003e (1982)—a book that distilled his style into pure contrast and form. It reads as a testimony to survival, showing how even in darkness, fragments of light can redefine an artist’s path.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/QuartetbyDaidoMoriyamatipibookshop-8.jpg?v=1757067121\" alt=\"\"\u003e\u003c\/p\u003e","brand":"Thames \u0026 hudson","offers":[{"title":"Default Title","offer_id":51395001123157,"sku":"MO-MOD","price":85.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/quartet-by-daido-moriyama-9292783.jpg?v=1757099705"},{"product_id":"la-nonpareille-by-batia-suter","title":"La Nonpareille by Batia Suter","description":"\u003cp\u003eLa Nonpareille extends Batia Suter’s site-specific installation at TU Delft, where she immersed herself in the library’s archive of glass slides. In an age when images are endlessly generated, sorted, and recombined by algorithms, Suter insists on the slowness and tactility of manual work: tirelessly compiling and associating images by hand. The archive she engages with—glass plates produced between 1900 and 1960 for lectures in Mechanical Technology—bears the marks of use and time. They document machines, industrial materials, and production processes from an era of accelerating mechanisation, when human labor itself was increasingly being handed over to machines.\u003c\/p\u003e\n\u003cp\u003eSuter reanimates this material, transforming it into a visual meditation on the entanglement of humans and machines, and on the ways technology shapes perception, work, and everyday life. Many of the book’s compositions take the form of layered montages, where images overlap to produce hybrid forms and unexpected associations. These juxtapositions mirror both the inventive logic of industrial progress and the imaginative potential of recombining fragments by hand.\u003c\/p\u003e\n\u003cp\u003eThe TU Delft Library maintains a varied collection of glass slides, once essential to academic teaching. Produced on glass substrates and projected during lectures, they were assembled by professors to illustrate technical knowledge in the fields of Mechanical and Maritime Engineering and Electrical Engineering. Within these sets, students encountered the workings of machines, the properties of industrial materials, and the processes of production—from glass and ceramics to textiles, paper, milling, and printing.\u003c\/p\u003e\n\u003cp\u003eThis archive captures a moment when education sought not only to describe machines, but to understand process technologies deeply—so as to refine tools and shift the burden of labor from manual to mechanical. In Suter’s hands, however, these images are liberated from their original didactic function. Through a deliberate, manual act of reconfiguration, she turns them into a living atlas: a reflection on past industrial transformations, and on the persistence of human imagination in a time increasingly structured by automation.\u003c\/p\u003e","brand":"Roma Publications","offers":[{"title":"Default Title","offer_id":51408898982229,"sku":"NO-PAR","price":35.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/la-nonpareille-by-batia-suter-7966700.jpg?v=1757431126"},{"product_id":"nous-autres-by-donna-gottschalk","title":"Nous Autres by Donna Gottschalk","description":"\u003cp\u003eEn janvier 2023, Donna Gottschalk croise pour la première fois le chemin d’Hélène Giannecchini. Malgré les quarante années qui les séparent, un lien immédiat se tisse – une rencontre de regards, d’expériences et de sensibilités. Hélène, alors en quête d’images pour un livre sur l’amitié, plonge dans les archives de Donna, écoute ses souvenirs, ses silences, ses colères et ses élans. Ce qu’elle y découvre ne la laisse pas intacte : la vie de Donna, ses combats et la tendresse qui habite ses photographies la touchent profondément. De cette rencontre naît un désir : faire résonner cette voix, faire vivre ces images autrement que dans des boîtes d’archives.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/NousAutresbyDonnaGottschalk-10.jpg?v=1757950862\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003eLes photographies de Donna Gottschalk ne sont pas seulement des documents ; elles sont les fragments d’une vie vécue avec intensité. Militante lesbienne dès la fin des années 1960, Donna photographie celles et ceux avec qui elle partage son quotidien, ses luttes et ses amours. Ses images sont un geste d’affirmation : montrer l’existence de ces vies que l’Amérique de l’époque refuse souvent de voir. Elle installe ses modèles – amies, amantes, camarades – dans l’espace intime de son appartement, les laissant se présenter à elle dans leur vérité la plus désarmée. Ses portraits, sans fard, sont autant d’actes de tendresse et de résistance.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/NousAutresbyDonnaGottschalk-8.jpg?v=1757950861\" alt=\"\"\u003e\u003c\/p\u003e\n\u003cp\u003ePour Hélène, écrire ce livre n’est pas seulement un travail de recherche, c’est un dialogue intime avec une femme qui a su transformer sa vulnérabilité en force visuelle. Ses textes ne se contentent pas d’accompagner les images : ils les font vibrer, les prolongent, les rendent à nouveau vivantes. Ils invitent le lecteur à entrer dans l’univers de Donna, à ressentir ce qu’elle a vu, ce qu’elle a aimé et ce qu’elle a perdu.\u003c\/p\u003e\n\u003cp\u003eCe projet à plusieurs voix s’enrichit d’un essai de Julie Héraut, « Archive contre l’oubli », qui revient sur le parcours des deux femmes et la genèse de cette collaboration. Enfin, la photographe et historienne de l’art afro-américaine Carla Williams offre une réflexion sur ce que signifie « être vue », rapprochant sa propre pratique de celle de Donna. Ensemble, textes, images et archives tissent un récit profondément personnel : celui d’une femme qui a trouvé, dans la photographie, une manière de se voir elle-même et d’offrir aux autres la possibilité d’exister pleinement.\u003c\/p\u003e","brand":"Tipi bookshop","offers":[{"title":"Default Title","offer_id":51454855381333,"sku":"GOT-TSC","price":49.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/nous-autres-by-donna-gottschalk-4483704.jpg?v=1757954978"},{"product_id":"3000-days-of-archives-related-to-the-optics-and-glasses-frame-industry","title":"3000 days of archives related to the optics and glasses frame industry","description":"\u003cp\u003eThe book is a visual journey through the forgotten corners of the eyewear industry. Some untold stories, brands, objects, and people who shaped its evolving landscape. The collection was started in 2018 by the Bidules te\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003eam, it is an ongoing project, taking no claim to meaning, blending scano-graphy and photography to explore fragments of a trade shaped by time, chance, and memory.\u003c\/p\u003e\n\u003cp\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/3000daysofarchivesrelatedtotheopticsandglassesframeIndustry-22.jpg?v=1758636109\" alt=\"\"\u003eThe publication was developed under the creative direction of Mathys Dos Santos, a 23-year-old Brussels-based photographer with a focus on archival storytelling and small print-run publishing.\u003c\/p\u003e\n\u003cp\u003ePublished by Bidules, the book is a testament to the richness of forgotten material culture, placing itself at the crossroads of visual culture, industrial design, photography and archival research, documenting a lesser-known sector of the eyewear history through a curated lens.\u003c\/p\u003e","brand":"Bidule","offers":[{"title":"Default Title","offer_id":51493785141589,"sku":"300-ARV","price":30.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/3000-days-of-archives-related-to-the-optics-and-glasses-frame-industry-1857652.jpg?v=1758691774"},{"product_id":"japan-art-revolution-from-angura-to-provoke-1960-1979","title":"JAPAN ART REVOLUTION - from Angura to Provoke - 1960-1979","description":"\u003ch2\u003eThe Japanese Avant-Garde, from Angura to Provoke - 1960-1979\u003c\/h2\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eCreated by Amélie Ravalec\u003c\/p\u003e\n\u003cp\u003eFeaturing over \u003cstrong\u003e600\u003c\/strong\u003e artworks by Moriyama Daido, Hosoe Eikō, Araki Nobuyoshi, Ishiuchi Miyako, Yokoo Tadanori, Terayama Shūji, Provoke, Hijikata Tatsumi, Ohno Kazuo, Awazu Kiyoshi, Watanabe Hitomi, Saeki Toshio, Kawada Kikuji.\u003c\/p\u003e\n\u003cp\u003eAmidst the profound social change and political turmoil of post-war Japan, a bold generation of avant-garde artists and photographers emerged in the 1960s, forever transforming the global art landscape.\u003c\/p\u003e\n\u003cp\u003e1960s Japan was a time of profound social change, political unrest and student protests. The turbulent times of the post-war era inspired an artistic explosion in Japan, with the emergence of a revolutionary scene of avant-garde artists who pioneered many disciplines: experimental and erotic photography, 'Angura' theatre and underground street performances, apocalyptic Butoh dance, surreal illustrations and seminal graphic design. \u003c\/p\u003e\n\u003cp\u003eJapan Art Revolution is the first comprehensive overview of the post-war Japanese avant-garde artistic explosion to be published in English, combining first-hand accounts, critical analysis and creative insight on one of the most radical cultural movements of the 20th century.\u003c\/p\u003e\n\u003cp\u003eTaking design cues from Japanese luminaries Yokoo Tadanori and Awazu Kiyoshi, Japan Art Revolution features over 600 captivating artworks, encompassing photographs, film stills, theatre posters and illustrations by visionary artists including Moriyama Daido, Hosoe Eikō, Araki Nobuyoshi, Ishiuchi Miyako, Tanaami Keiichi, Yokoo Tadanori, Hijikata Tatsumi, Ohno Kazuo, Terayama Shuji, Tenjo Sajiki, Kawada Kikuji, Neo-Dada Organizers, Hi-Red Center, Awazu Kiyoshi, Hanaga Mitsutoshi, Nakahira Takuma and Tanabe Santaro.\u003c\/p\u003e\n\u003cp\u003eDrawing on extensive interviews with these iconic artists, this comprehensive publication offers readers a nuanced understanding of the thriving world of Japanese avant-garde art, complemented by insightful texts from esteemed experts, curators, academics and archivists.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cblockquote style=\"background: #FFF; 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font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: 550; line-height: 18px;\"\u003eView this post on Instagram\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"padding: 12.5% 0;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: row; margin-bottom: 14px; align-items: center;\"\u003e\n\u003cdiv\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(0px) translateY(7px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; height: 12.5px; transform: rotate(-45deg) translateX(3px) translateY(1px); width: 12.5px; flex-grow: 0; margin-right: 14px; margin-left: 2px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; height: 12.5px; width: 12.5px; transform: translateX(9px) translateY(-18px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: 8px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 50%; flex-grow: 0; height: 20px; width: 20px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 2px solid transparent; border-left: 6px solid #f4f4f4; border-bottom: 2px solid transparent; transform: translateX(16px) translateY(-4px) rotate(30deg);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin-left: auto;\"\u003e\n\u003cdiv style=\"width: 0px; border-top: 8px solid #F4F4F4; border-right: 8px solid transparent; transform: translateY(16px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; flex-grow: 0; height: 12px; width: 16px; transform: translateY(-4px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"width: 0; height: 0; border-top: 8px solid #F4F4F4; border-left: 8px solid transparent; transform: translateY(-4px) translateX(8px);\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"display: flex; flex-direction: column; flex-grow: 1; justify-content: center; margin-bottom: 24px;\"\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; margin-bottom: 6px; width: 224px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"background-color: #f4f4f4; border-radius: 4px; flex-grow: 0; height: 14px; width: 144px;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/a\u003e\n\u003cp style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; line-height: 17px; margin-bottom: 0; margin-top: 8px; overflow: hidden; padding: 8px 0 7px; text-align: center; text-overflow: ellipsis; white-space: nowrap;\"\u003e\u003ca style=\"color: #c9c8cd; font-family: Arial,sans-serif; font-size: 14px; font-style: normal; font-weight: normal; line-height: 17px; text-decoration: none;\" href=\"https:\/\/www.instagram.com\/reel\/DIt5iXyK5v6\/?utm_source=ig_embed\u0026amp;utm_campaign=loading\" target=\"_blank\"\u003eA post shared by Japanese Avant-Garde Films (@japanavantgarde)\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Thames \u0026 hudson","offers":[{"title":"Default Title","offer_id":51506020385109,"sku":"JA-PAD","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/japan-art-revolution-from-angura-to-provoke-1960-1979-8118717.jpg?v=1758608823"},{"product_id":"provisoria-by-ria-verhaeghe","title":"Provisoria by Ria Verhaeghe","description":"\u003cblockquote\u003e\n\u003cp\u003e\u003cem\u003e\u003cstrong\u003eThe eye is a sphere with an average diameter of 2.3 centimetres. It is made of relatively soft matter and quite fragile. Minor damage can lead to vision loss. Eyes sit in bony cavities at the front of the skull. Eyelids and eyelashes provide further protection.\u003c\/strong\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cstrong\u003eWe do not have the full picture\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWe blink our eyes about 20,000 times a day. The fact seems so self-evident that we hardly give it a second thought, let alone realize the limitations of our vision.\u003cbr\u003eFrench writer Georges Perec summarizes it perfectly in his celebrated book\u003cbr\u003eSpecies of Spaces (1974): \"We use our eyes for seeing. Our field of vision reveals a limited space, something vaguely circular, which ends very quickly to left and right, and doesn't extend very far up or down. If we squint, we can manage to see the end of our nose; if we raise our eyes, we can see there's an up, if we lower them, we can see there's a down. If we turn our head in one direction, then in another, we don't even manage to see completely everything there is around us; we have to twist our bodies round to see properly what was behind.\"\u003c\/p\u003e\n\u003cp\u003eNo one could be more aware of this physiological truth than Bruges-born artist Ria Verhaeghe. Before motherhood and the germination of her artistic practice, she was employed in the optometry department of one of Bruges' eye clinics. Here, she recorded her patients' visual fields, more specifically by measuring the individual photosensitivity of their retinas. She performed slit lamp examinations.\u003c\/p\u003e\n\u003cp\u003eThe results helped diagnose visual field loss, an indicator of glaucoma, optic nerve disorders, neurological abnormalities or a detached retina, among other things. \"I use this experience as a way of seeing,\" says Ria Verhaeghe. \"We don't see very much at all (laughs). What we perceive is nothing compared to what we don't. We do not have the full picture. Some people have a broad field of vision, others a small one, but everyone has a blind spot. You can sense it if you press gently on your eyes and look at your nose. It's very strange. You never see what's happening in your blind spot.\"\u003c\/p\u003e\n\u003cp\u003eWhy are we blind to the suffering of others?\u003cbr\u003eBy Barbara De Coninck\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eProvisoria is an alternative image archive curated by Ria Verhaeghe since the early 1990s, sourced from international newspapers. Organized by keywords, dates, and thematic groupings, the archive is an effort to explore a different dimension of photojournalism. The images—often dramatic, ambiguous, or unsettling—explore the raw and layered emotional dimensions of photojournalism. With over 60,000 images, the collection spans from the striking and dramatic to the ambiguous, grotesque, and unexpectedly tender. \u003c\/em\u003e\u003c\/p\u003e","brand":"APE books","offers":[{"title":"Default Title","offer_id":51538605375829,"sku":"RIA-GP","price":40.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/provisoria-by-ria-verhaeghe-8615118.jpg?v=1758940265"},{"product_id":"at-the-limits-of-the-gaze-by-takuma-nakahira","title":"At the Limits of the Gaze by Takuma Nakahira","description":"\u003cp\u003e\u003cspan style=\"text-decoration: underline; color: rgb(255, 0, 0);\"\u003e\u003cstrong\u003eSHIPPING AFTER THE 10\/12\/25\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe first English-language collection of Takuma Nakahira’s influential writings on photography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt the Limits of the Gaze collects the writings of photographer and critic Takuma Nakahira in English for the first time. A crucial figure within the history of Japanese photography, Nakahira is best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in 1968, and for his important photobook For a Language to Come (1970). Throughout a decades-long career, Nakahira raised incisive questions about visual culture and politics in both his photography and his writing.\u003c\/p\u003e\n\u003cp\u003eAs part of a dynamic moment of artistic and political experimentation in Tokyo, he wrote on a range of topics hardly limited to photography: art, film, journalism, literature, politics, television, and more. Nakahira’s essays brim with urgency, relentlessly interrogating photography’s relationship to power, the connection between language and images, and the gaze.\u003c\/p\u003e\n\u003cp\u003eAs editors and translators Daniel Abbe and Franz Prichard write, Nakahira’s essays “both suggest doubt about, and possibilities for, a photographically mediated reckoning with the world.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":52008575861077,"sku":null,"price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0573\/5016\/0524\/files\/at-the-limits-of-the-gaze-by-takuma-nakahira-8674668.jpg?v=1765090168"}],"url":"https:\/\/www.tipi-bookshop.be\/collections\/20th-century.oembed?page=3","provider":"Tipi bookshop","version":"1.0","type":"link"}